CREATIVE ECONOMY AND CREATIVE CITIES

The paper sets out why creativity has become so important to urban and regional economics. It focuses on the role of creativity, creative industries, creative economy, creative class and creative cities for the modern urban economics. It points out the idea that the power of the future economy lays within the development of the creative city. The aim of a creative city is to make us to think of our city as a living work of art, where citizens can involve and engage themselves in the creation of a transformed place. Every city can be more creative that it currently is and the task for the city wanting to be creative is to identify, nurture, harness, promote, attract, and sustain talent and to mobilize ideas, resources and organizations.creative economy, creative cities, urban economics, creative class, sustainable development.

Creative Economy-Feasible Option for România

The paper’s objective is the scientific foundation of the necessity to implement the topic of creative economy in Romania. The term of creative economy is widely used in the context of the knowledge-based society. Its importance to sustainable development, wealth and prosperity is commonly recognised mostly due to the amplified crisis effects. The creative communities and industries have moved from the fringes to the mainstream. The special needs of creative industries are reflected more in policy development at national, regional and microeconomic levels. The paper presents part of the results obtained within the research project “IDEI 1224”: “The creative economy and knowledge-based society. Challenges and opportunities for Romania” The general perspective of this paper is aimed at presenting our vision regarding the most important challenges and opportunities for Romania on its road towards a knowledge-based society and creative economy. Creative economy is crucial for Romania while it is facing the global crisis. In order to manage the current crisis (its complex nature derives from the fact that it is much more than just an economic crisis) in a competent way we have to seriously take into account the opportunities creative economy can provide. According to the authors’ vision, creative economy is a feasible option for Romania. The creative economy has to foster a holistic vision of development including socio-cultural, economic and environmental dimensions, offering new opportunities for Romania on its road towards a knowledge-based society.creative economy, creative class, creative communities, creative cities

Developing the rural creative economy 'from below': exploring practices of market-building amongst creative entrepreneurs in rural and remote Scotland

The article draws on material gathered as part of three research projects, the first, ‘Supporting Creative Business’ was funded by the UK Arts and Humanities Research Council, the second, ‘Towards a model of support for the rural creative industries’ was funded by the University of Glasgow’s Knowledge Exchange fund and the third, ‘The effects of improved communications technology of rural creative entrepreneurs’ funded by CREATe, the Research Councils UK Centre for the Study of Copyright and New Business Models in the Creative Economy. Drawing on ethnographic research conducted at a range of sites around the Highlands and Islands of Scotland, this paper argues that despite recent attempts to develop the creative economy in remote and rural Scotland, the current institutional infrastructure is lacking. The paper explores creative practitioners’ responses to the opportunities and challenges posed by ‘place’. Therefore, the paper documents the tactics that creative entrepreneurs employ to aid the development of the creative economy ‘from below’, focusing in particular on the opportunities posed by improved communications technologies

Higher education stimulating creative enterprise

This report summarises the research undertaken by the Business & Community School at the University for the Creative Arts (UCA), analysing ways that higher ediucation (HEIs) can support, and indeed stimulate, the creative economy. The research, in collaboration with the Arts University College Bournemouth (AUCB) and the University of Winchester, serves as a mere snapshot of the numerous ways that Universities engage with the diverse industries under the 'creative' nomenclature and of the very real and poistive ways that the higher education sector contributes to the growth of the creative economy in thhe UK

CREATIVE ECONOMY. DETERMINANTS AND STAKES OF CREATIVITY AND INNOVATION MANAGEMENT. REGIONAL INGRESSIONS

Within the framework of creative economy the creative and innovative management represents a strategic issue to consider when stimulating the enhancement of competitiveness among companies and countries. Creativity, innovation and new product developmentcreative economy, innovation, creative and innovative management, creative place

A manifesto for the creative economy

The UK\u27s creative economy is one of its great national strengths, historically deeply rooted and accounting for around one-tenth of the whole economy. It provides jobs for 2.5 million people – more than in financial services, advanced manufacturing or construction – and in recent years, this creative workforce has grown four times faster than the workforce as a whole. But behind this success lies much disruption and business uncertainty, associated with digital technologies. Previously profitable business models have been swept away, young companies from outside the UK have dominated new internet markets, and some UK creative businesses have struggled to compete. UK policymakers too have failed to keep pace with developments in North America and parts of Asia. But it is not too late to refresh tired policies. This manifesto sets out our 10-point plan to bolster one of the UK\u27s fastest growing sectors

Creative Assets and the Changing Economy

This paper evaluates recent claims that art and culture have become more valuable assets in the new economy. Based on conversations with several prominent cultural economists, the author argues that advocates and scholars should be more cautious in their attempts to draw out the implications of the changing economy on culture. Rather than spend time calculating the impact or size of the “creative economy,” the author argues that we should direct our analytical and policy energies toward better understanding how creative work and institutions are changing and what might be done to foster a more robust, creative and diverse cultural life.

From cultural quarters to creative clusters – creative spaces in the new city economy

Copyright @ 2009 Institute of Urban HistoryInstitute of Urban History, Stockhol

Measuring Chicago's (Artistically) Creative Economy

This study measures the creative industries and workers of Chicago and eight peer cities. It is meant to provide an objective benchmark for Chicago as it undertakes the goals articulated in the Chicago Cultural Plan 2012 of attracting and retaining creative professionals and measuring the size and strength of the cultural sector. Quick facts:Creative workers, a group which includes professionals such as scientists and programmers as well as artists, make up almost 21% of Chicago's civilian labor force, which approximates the portion of creative workers in the US labor force.However, if one looks at artists specifically, Chicago rises above the national baseline: the portion of Chicago's labor force made up of artists is 1.6 times that of the US.An estimated 63,008 artists work in Chicago. Designers represent the largest share of the artist workforce in Chicago, at 36.3 percent.Fifty-seven percent of Chicago's artist labor force is employed in the for-profit sector. Among the cities studied, only Houston and Philadelphia employ barely larger proportions of their artist labor force in the for-profit sector.Chicago's artist workforce is less diverse than its total population in terms of race and ethnicity. Seventy-four percent of Chicago's artist workforce is White (non-Hispanic), compared with a total population that is 32 percent White (non-Hispanic).Among Chicago artists, writers/authors and architects are most highly concentrated compared to the U.S. as a whole. Chicago also has higher concentrations of designers, musicians, photographers, actors, and dancers compared to the national baseline