Convolutional Composer Classification

This paper investigates end-to-end learnable models for attributing composers to musical scores. We introduce several pooled, convolutional architectures for this task and draw connections between our approach and classical learning approaches based on global and n-gram features. We evaluate models on a corpus of 2,500 scores from the KernScores collection, authored by a variety of composers spanning the Renaissance era to the early 20th century. This corpus has substantial overlap with the corpora used in several previous, smaller studies; we compare our results on subsets of the corpus to these previous works.Comment: 8 pages, published at ISMIR 201

Composer Style Classification of Piano Sheet Music Images Using Language Model Pretraining

This paper studies composer style classification of piano sheet music images. Previous approaches to the composer classification task have been limited by a scarcity of data. We address this issue in two ways: (1) we recast the problem to be based on raw sheet music images rather than a symbolic music format, and (2) we propose an approach that can be trained on unlabeled data. Our approach first converts the sheet music image into a sequence of musical "words" based on the bootleg feature representation, and then feeds the sequence into a text classifier. We show that it is possible to significantly improve classifier performance by first training a language model on a set of unlabeled data, initializing the classifier with the pretrained language model weights, and then finetuning the classifier on a small amount of labeled data. We train AWD-LSTM, GPT-2, and RoBERTa language models on all piano sheet music images in IMSLP. We find that transformer-based architectures outperform CNN and LSTM models, and pretraining boosts classification accuracy for the GPT-2 model from 46\% to 70\% on a 9-way classification task. The trained model can also be used as a feature extractor that projects piano sheet music into a feature space that characterizes compositional style.Comment: 8 pages, 7 figures. Accepted paper at the International Society for Music Information Retrieval Conference (ISMIR) 202