“Burkini” bans in Belgian municipal swimming pools : banning as a default option

Muslim women’s religious dress is a matter that exercises many minds and the recent public debate on the so-called “burkini” (preferably phrased as “body covering swimwear”) is the umpteenth variation on the theme. Following the French commotion on the presence of “burkini” wearers at the coast in 2016, the “burkini” became the subject of public debate in Belgium. Whereas the “burkini” did not cause much public unrest in the context of the Belgian coast, the majority of local swimming pools in the Flemish region of Belgium do have dress codes banning the “burkini”, even before the (inter)national media outcry. This article discusses the prevalence of these restrictive dress regulations and scrutinizes the rationalisation behind local “burkini” bans in municipal swimming pools. These findings are complemented with the perspectives and experiences of “burkini” wearers, who challenged the “burkini” bans before the court. Finally, this article analyses the “burkini” bans in light of European human rights standards

Negotiating French Muslim Identities through Hip Hop

In The French Melting Pot: Immigration, Citizenship, and National Identity, Gérard Noiriel contends that in France, the modern idea of the nation emerged as a means to subvert the dominant influence of the nobility, whose rule was underwritten by the aristocratic idea that “the nation was founded on ‘blood lineage.’”1 Noiriel posits that “the revolutionary upheaval discredited not only the old order but everything that harked back to origins, so much so that the first decrees abolishing nobility were also directed against names that evoked people’s origins: an elegant name is still a form of privilege; its credit must be destroyed.”2 The rejection of group differences as well as the exaltation of assimilation policies that were strengthened by a social contract in the postrevolutionary political climate reflected, above all else, a contestation of the privileges that had been accorded to the nobility.3 It is from this historical background that Noiriel examines contemporary arguments regarding assimilation—specifically, which groups are deemed “assimilable” and which ones are not. This rhetoric of assimilation under the banner of laicité has framed hotly debated discussions vis-à-vis the position of Muslims in France within the imagined national community. In an environment where Muslim bodies and symbols are relentlessly quarantined and prevented from “contaminating” secular spaces, this article will examine the ways in which French Muslim Hip Hop artists such as Médine, and Diam’s have employed different rhetorical strategies to navigate their French and Muslim identities through their lyrics

Sex Quotas and Burkini Bans

This Essay recounts how feminist theorists and activists managed to write their ideals into the fabric of French law and culture, and how nonfeminists began to appropriate those ideals. Parité, the 2000 law that requires half of all candidates for public office be women, saw French feminists first engineer a change in French universalism to respect sex difference; although not wholly successful, Parité advanced women\u27s political inclusion. Then, like a drop of water in a pond, these feminist ideas disappeared in plain sight: they became intrinsic to French state norms and public values. As they became woven into such norms, however, politicians began to use them to promote exclusions: first excluding Muslims from full participation in the Republic with veil and burqa bans, then supporting exclusions of sex and class with a corporate board quota (CBQ). Most recently, feminist ideas have been called upon to exclude French Muslims with proposed burkini bans

The Right to be Human:How do Muslim Women talk about Human Rights and Religious Freedoms in Britain?

Abstract This article examines existing literature and data from qualitative fieldwork with Muslim women in Britain to analyse their narratives of human rights and freedom, as they live within plural European contexts. In scared, securitised and polarised Europe, Muslim women have become visible markers of otherness. Each Muslim woman becomes a fulcrum upon which Western values and morality are measured against the “other”, its values, its beliefs and its choices. In exploring the implications of societal othering on Muslim women’s experiences of their human rights, this article concludes that in social contexts that are polemical, becoming the other dehumanises Muslim women who thus become ineligible for “human” rights. In such contexts, a human rights-based approach alone is insufficient to achieve “dignity and fairness” in society. In addition to human rights, societies need robust and rigorous dialogue so that societal differences become part of a new mediated plural reality.</jats:p

Law & critique: burkini, bikini and the female (un)dressed body

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The ‘burkini’ ban illustrates the unequal cultural power that shapes the lives of Muslims in Europe

The banning of the ‘burkini’ by a number of French municipalities has generated heated discussion about the nature of secularism in France. George Kassimeris and Leonie Jackson write that the burkini ban, alongside attempts to restrict the use of religious symbols and clothing in other European countries, demonstrates the unequal cultural power that shapes the lives of Muslims in Europe, where the entitlement to feel ‘comfortable’ is deemed more important than Muslim women’s right to veil

If I Ruled the World: Putting Hip Hop on the Atlas

“If I Ruled the World: Putting Hip Hop on the Atlas” contends for a third wave of Global Hip Hop Studies that builds on the work of the first two waves, identifies Hip Hop as an African diasporic phenomenon, and aligns with Hip Hop where there are no boundaries between Hip Hop inside and outside of the United States. Joanna Daguirane Da Sylva adds to the cipha with her examination of Didier Awadi. Da Sylva\u27s excellent work reveals the ways in which Hip Hoppa Didier Awadi elevates Pan-Africanism and uses Hip Hop as a tool to decolonize the minds of African peoples. The interview by Tasha Iglesias and myself of members of Generation Hip Hop and the Universal Hip Hop Museum provides a primary source and highlights two Hip Hop organizations with chapters around the world. Mich Yonah Nyawalo’s Negotiating French Muslim Identities through Hip Hop details Hip Hop artists Médine and Diam’s, who are both French and Muslim, and whose self-identification can be understood as political strategies in response to the French Republic’s marginalization of Muslims. In “Configurations of Space and Identity in Hip Hop: Performing ’Global South’,” Igor Johannsen adds to this special issue an examination of the spatiality of the Global South and how Hip Hoppas in the Global South oppose global hegemony. The final essay, “‘I Got the Mics On, My People Speak’: On the Rise of Aboriginal Australian Hip Hop,” by Benjamin Kelly and Rhyan Clapham, provides a thorough analysis of Aboriginal Hip Hop and situates it within postcolonialism. Overall, the collection of these essays points to the multiple identities, political economies, cultures, and scholarly fields and disciplines that Hip Hop interacts with around the world

De nudismos y burkinis

A veces los europeos resultamos un poco contradictorios. Reclamamos que se respete al máximo el libre desarrollo de la personalidad en el espacio público y, simultáneamente, expulsamos de ese espacio las expresiones de libertad no convencionales

Book review: veiled threats: representing the Muslim woman in public policy discourses by Naaz Rashid

In Veiled Threats: Representing the Muslim Woman in Public Policy Discourses, Naaz Rashid explores how Muslim women are represented in UK policy discourse, with a particular focus on critically examining and challenging the aims of counter-terrorism initiatives that purport to empower Muslim women. Maria W. Norris welcomes this as a vital, timely study that should be required reading for scholars of counter-terrorism policy, nationalism and feminism as well as policymakers involved in reviewing and implementing these policies

Ms. Marvel: Changing Muslim Representation in the Comic World

Examines the representation of Muslim women in the comic book world, and how Kamala Khan (the titular Ms. Marvel) along with some other characters usher in a new wave of how Muslim women are depicted in comics