Understanding the Perceived Quality of Video Predictions

The study of video prediction models is believed to be a fundamental approach to representation learning for videos. While a plethora of generative models for predicting the future frame pixel values given the past few frames exist, the quantitative evaluation of the predicted frames has been found to be extremely challenging. In this context, we study the problem of quality assessment of predicted videos. We create the Indian Institute of Science Predicted Videos Quality Assessment (IISc PVQA) Database consisting of 300 videos, obtained by applying different prediction models on different datasets, and accompanying human opinion scores. We collected subjective ratings of quality from 50 human participants for these videos. Our subjective study reveals that human observers were highly consistent in their judgments of quality of predicted videos. We benchmark several popularly used measures for evaluating video prediction and show that they do not adequately correlate with these subjective scores. We introduce two new features to effectively capture the quality of predicted videos, motion-compensated cosine similarities of deep features of predicted frames with past frames, and deep features extracted from rescaled frame differences. We show that our feature design leads to state of the art quality prediction in accordance with human judgments on our IISc PVQA Database. The database and code are publicly available on our project website: https://nagabhushansn95.github.io/publications/2020/pvqaComment: Project website: https://nagabhushansn95.github.io/publications/2020/pvqa.htm

Quality Assessment of In-the-Wild Videos

Quality assessment of in-the-wild videos is a challenging problem because of the absence of reference videos and shooting distortions. Knowledge of the human visual system can help establish methods for objective quality assessment of in-the-wild videos. In this work, we show two eminent effects of the human visual system, namely, content-dependency and temporal-memory effects, could be used for this purpose. We propose an objective no-reference video quality assessment method by integrating both effects into a deep neural network. For content-dependency, we extract features from a pre-trained image classification neural network for its inherent content-aware property. For temporal-memory effects, long-term dependencies, especially the temporal hysteresis, are integrated into the network with a gated recurrent unit and a subjectively-inspired temporal pooling layer. To validate the performance of our method, experiments are conducted on three publicly available in-the-wild video quality assessment databases: KoNViD-1k, CVD2014, and LIVE-Qualcomm, respectively. Experimental results demonstrate that our proposed method outperforms five state-of-the-art methods by a large margin, specifically, 12.39%, 15.71%, 15.45%, and 18.09% overall performance improvements over the second-best method VBLIINDS, in terms of SROCC, KROCC, PLCC and RMSE, respectively. Moreover, the ablation study verifies the crucial role of both the content-aware features and the modeling of temporal-memory effects. The PyTorch implementation of our method is released at https://github.com/lidq92/VSFA.Comment: 9 pages, 7 figures, 4 tables. ACM Multimedia 2019 camera ready. -> Update alignment formatting of Table

Video and Image Super-Resolution via Deep Learning with Attention Mechanism

Image demosaicing, image super-resolution and video super-resolution are three important tasks in color imaging pipeline. Demosaicing deals with the recovery of missing color information and generation of full-resolution color images from so-called Color filter Array (CFA) such as Bayer pattern. Image super-resolution aims at increasing the spatial resolution and enhance important structures (e.g., edges and textures) in super-resolved images. Both spatial and temporal dependency are important to the task of video super-resolution, which has received increasingly more attention in recent years. Traditional solutions to these three low-level vision tasks lack generalization capability especially for real-world data. Recently, deep learning methods have achieved great success in vision problems including image demosaicing and image/video super-resolution. Conceptually similar to adaptation in model-based approaches, attention has received increasing more usage in deep learning recently. As a tool to reallocate limited computational resources based on the importance of informative components, attention mechanism which includes channel attention, spatial attention, non-local attention, etc. has found successful applications in both highlevel and low-level vision tasks. However, to the best of our knowledge, 1) most approaches independently studied super-resolution and demosaicing; little is known about the potential benefit of formulating a joint demosaicing and super-resolution (JDSR) problem; 2) attention mechanism has not been studied for spectral channels of color images in the open literature; 3) current approaches for video super-resolution implement deformable convolution based frame alignment methods and naive spatial attention mechanism. How to exploit attention mechanism in spectral and temporal domains sets up the stage for the research in this dissertation. In this dissertation, we conduct a systematic study about those two issues and make the following contributions: 1) we propose a spatial color attention network (SCAN) designed to jointly exploit the spatial and spectral dependency within color images for single image super-resolution (SISR) problem. We present a spatial color attention module that calibrates important color information for individual color components from output feature maps of residual groups. Experimental results have shown that SCAN has achieved superior performance in terms of both subjective and objective qualities on the NTIRE2019 dataset; 2) we propose two competing end-to-end joint optimization solutions to the JDSR problem: Densely-Connected Squeeze-and-Excitation Residual Network (DSERN) vs. Residual-Dense Squeeze-and-Excitation Network (RDSEN). Experimental results have shown that an enhanced design RDSEN can significantly improve both subjective and objective performance over DSERN; 3) we propose a novel deep learning based framework, Deformable Kernel Spatial Attention Network (DKSAN) to super-resolve videos with a scale factor as large as 16 (the extreme SR situation). Thanks to newly designed Deformable Kernel Convolution Alignment (DKC Align) and Deformable Kernel Spatial Attention (DKSA) modules, DKSAN can get both better subjective and objective results when compared with the existing state-of-the-art approach enhanced deformable convolutional network (EDVR)

A Comprehensive Review of Deep Learning-based Single Image Super-resolution

Image super-resolution (SR) is one of the vital image processing methods that improve the resolution of an image in the field of computer vision. In the last two decades, significant progress has been made in the field of super-resolution, especially by utilizing deep learning methods. This survey is an effort to provide a detailed survey of recent progress in single-image super-resolution in the perspective of deep learning while also informing about the initial classical methods used for image super-resolution. The survey classifies the image SR methods into four categories, i.e., classical methods, supervised learning-based methods, unsupervised learning-based methods, and domain-specific SR methods. We also introduce the problem of SR to provide intuition about image quality metrics, available reference datasets, and SR challenges. Deep learning-based approaches of SR are evaluated using a reference dataset. Some of the reviewed state-of-the-art image SR methods include the enhanced deep SR network (EDSR), cycle-in-cycle GAN (CinCGAN), multiscale residual network (MSRN), meta residual dense network (Meta-RDN), recurrent back-projection network (RBPN), second-order attention network (SAN), SR feedback network (SRFBN) and the wavelet-based residual attention network (WRAN). Finally, this survey is concluded with future directions and trends in SR and open problems in SR to be addressed by the researchers.Comment: 56 Pages, 11 Figures, 5 Table

Towards Interaction-level Video Action Understanding

A huge amount of videos have been created, spread, and viewed daily. Among these massive videos, the actions and activities of humans account for a large part. We desire machines to understand human actions in videos as this is essential to various applications, including but not limited to autonomous driving cars, security systems, human-robot interactions and healthcare. Towards real intelligent system that is able to interact with humans, video understanding must go beyond simply answering ``what is the action in the video", but be more aware of what those actions mean to humans and be more in line with human thinking, which we call interactive-level action understanding. This thesis identifies three main challenges to approaching interactive-level video action understanding: 1) understanding actions given human consensus; 2) understanding actions based on specific human rules; 3) directly understanding actions in videos via human natural language. For the first challenge, we select video summary as a representative task that aims to select informative frames to retain high-level information based on human annotators' experience. Through self-attention architecture and meta-learning, which jointly process dual representations of visual and sequential information for video summarization, the proposed model is capable of understanding video from human consensus (e.g., how humans think which parts of an action sequence are essential). For the second challenge, our works on action quality assessment utilize transformer decoders to parse the input action into several sub-actions and assess the more fine-grained qualities of the given action, yielding the capability of action understanding given specific human rules. (e.g., how well a diving action performs, how well a robot performs surgery) The third key idea explored in this thesis is to use graph neural networks in an adversarial fashion to understand actions through natural language. We demonstrate the utility of this technique for the video captioning task, which takes an action video as input, outputs natural language, and yields state-of-the-art performance. It can be concluded that the research directions and methods introduced in this thesis provide fundamental components toward interactive-level action understanding

Artificial Intelligence in the Creative Industries: A Review

This paper reviews the current state of the art in Artificial Intelligence (AI) technologies and applications in the context of the creative industries. A brief background of AI, and specifically Machine Learning (ML) algorithms, is provided including Convolutional Neural Network (CNNs), Generative Adversarial Networks (GANs), Recurrent Neural Networks (RNNs) and Deep Reinforcement Learning (DRL). We categorise creative applications into five groups related to how AI technologies are used: i) content creation, ii) information analysis, iii) content enhancement and post production workflows, iv) information extraction and enhancement, and v) data compression. We critically examine the successes and limitations of this rapidly advancing technology in each of these areas. We further differentiate between the use of AI as a creative tool and its potential as a creator in its own right. We foresee that, in the near future, machine learning-based AI will be adopted widely as a tool or collaborative assistant for creativity. In contrast, we observe that the successes of machine learning in domains with fewer constraints, where AI is the `creator', remain modest. The potential of AI (or its developers) to win awards for its original creations in competition with human creatives is also limited, based on contemporary technologies. We therefore conclude that, in the context of creative industries, maximum benefit from AI will be derived where its focus is human centric -- where it is designed to augment, rather than replace, human creativity