Sonoran chamber music series

Ludwig van Beethove

Lets Trade Phantom Monkeys

Two words are dual if for every position where one word has a vowel, the other has a consonant and vice versa. Eckler\u27s near-alternating ten-letter words in the August 2000 WOrd Ways exhibit many examples: themselves-Euroaquilo, literature-anatomical, clubfooted-audiophile, etc

Eat what you hear: Gustasonic discourses and the material culture of commercial sound recording

This article analyzes discursive linkages between acts of listening and eating within a combined multisensory regime that the authors label the gustasonic. Including both marketing discourses mobilized by the commercial music industry and representations of record consumption in popular media texts, gustasonic discourses have shaped forms and experiences of recorded sound culture from the gramophone era to the present. The authors examine three prominent modalities of gustasonic discourse: (1) discourses that position records as edible objects for physical ingestion; (2) discourses that preserve linkages between listening and eating but incorporate musical recordings into the packaging of other foodstuffs; and (3) discourses of gustasonic distinction that position the listener as someone with discriminating taste. While the gustasonic on one hand serves as an aid to consumerism, it can also cultivate a countervailing collecting impulse that resists music’s commodity status and inscribes sound recording within alternative systems of culture value

Book Review: Music, Sound, and Multimedia, From the Live to the Virtual

A 3000 word review of a series of ten academic papers on Music Sound and Multimedia, compiled into a single edited volum

Nonparametric estimation of the dynamic range of music signals

The dynamic range is an important parameter which measures the spread of sound power, and for music signals it is a measure of recording quality. There are various descriptive measures of sound power, none of which has strong statistical foundations. We start from a nonparametric model for sound waves where an additive stochastic term has the role to catch transient energy. This component is recovered by a simple rate-optimal kernel estimator that requires a single data-driven tuning. The distribution of its variance is approximated by a consistent random subsampling method that is able to cope with the massive size of the typical dataset. Based on the latter, we propose a statistic, and an estimation method that is able to represent the dynamic range concept consistently. The behavior of the statistic is assessed based on a large numerical experiment where we simulate dynamic compression on a selection of real music signals. Application of the method to real data also shows how the proposed method can predict subjective experts' opinions about the hifi quality of a recording