3 research outputs found
An examination of the copyright clearance activities in UK Higher Education
Reports results of a questionnaire survey of 57 persons with copyright clearance
functions in UK Higher Education Libraries and beyond. research project supported
by the 2000 Elsevier/LIRG Research Award, entitled “Clearing the Way: copyright
clearance in UK Libraries”. Examines the questionnaire responses and case study
interviews with regard to the copyright clearance process. Provides an overview of
clearance in UK HEIs, namely: who clears rights and where; what materials were
being cleared and for what purpose; and what licences and clearing houses were used.
It then examines the clearance procedures themselves: receiving requests from
internal customers, tracing rights holders, sending requests, rights holder response
times and chasing, refusals and unanswered requests, and the terms of permission,
including cost. Concludes that copyright clearance is a complex, time-consuming
activity for libraries, and that the problems could be addressed on many levels
The University Library, 1 August 2001 - 31 July 2002: report of the Librarian
This is the Pilkington Library's annual report by the university librarian, Mary Morley for the academic year 2001-2002
Copyright and the public interest in China
This thesis will consider how the multidimensional public interest concept at once
informs development of Chinese copyright law and also limits it.
Since 1990 China has awarded copyright - individual rights - but also provides for
public, non-criminal enforcement. Bowing to pressures of development, globalisation
and participation in a world economy, the public interest is leaving copyright. But at
the same time, as a socialist country, placing the common ahead of the individual
interest, the public interest also constitutes a phenomenological tool with which to
limit copyright. The tensions are further exacerbated by the rise of the Internet,
which has had major social and economic impact on China, and also raise problems
for Chinese copyright law, of which selected aspects will be discussed in comparison
with those in the United Kingdom and the United States.
The thesis consists of an introduction and a conclusion, together with six chapters: a
historical background of legal culture and the rise of the Internet in China; an
examination on copyright law and the different aspects of the public interest;
discussions on the Chinese system of copyright protection with a focus on the
administrative copyright enforcement, and topical copyright issues arising within
education, library and archives sectors on the ground of the multidimensional public
interest