Survey of deep representation learning for speech emotion recognition

Traditionally, speech emotion recognition (SER) research has relied on manually handcrafted acoustic features using feature engineering. However, the design of handcrafted features for complex SER tasks requires significant manual eort, which impedes generalisability and slows the pace of innovation. This has motivated the adoption of representation learning techniques that can automatically learn an intermediate representation of the input signal without any manual feature engineering. Representation learning has led to improved SER performance and enabled rapid innovation. Its effectiveness has further increased with advances in deep learning (DL), which has facilitated \textit{deep representation learning} where hierarchical representations are automatically learned in a data-driven manner. This paper presents the first comprehensive survey on the important topic of deep representation learning for SER. We highlight various techniques, related challenges and identify important future areas of research. Our survey bridges the gap in the literature since existing surveys either focus on SER with hand-engineered features or representation learning in the general setting without focusing on SER

SpectralDiff: A Generative Framework for Hyperspectral Image Classification with Diffusion Models

Hyperspectral Image (HSI) classification is an important issue in remote sensing field with extensive applications in earth science. In recent years, a large number of deep learning-based HSI classification methods have been proposed. However, existing methods have limited ability to handle high-dimensional, highly redundant, and complex data, making it challenging to capture the spectral-spatial distributions of data and relationships between samples. To address this issue, we propose a generative framework for HSI classification with diffusion models (SpectralDiff) that effectively mines the distribution information of high-dimensional and highly redundant data by iteratively denoising and explicitly constructing the data generation process, thus better reflecting the relationships between samples. The framework consists of a spectral-spatial diffusion module, and an attention-based classification module. The spectral-spatial diffusion module adopts forward and reverse spectral-spatial diffusion processes to achieve adaptive construction of sample relationships without requiring prior knowledge of graphical structure or neighborhood information. It captures spectral-spatial distribution and contextual information of objects in HSI and mines unsupervised spectral-spatial diffusion features within the reverse diffusion process. Finally, these features are fed into the attention-based classification module for per-pixel classification. The diffusion features can facilitate cross-sample perception via reconstruction distribution, leading to improved classification performance. Experiments on three public HSI datasets demonstrate that the proposed method can achieve better performance than state-of-the-art methods. For the sake of reproducibility, the source code of SpectralDiff will be publicly available at https://github.com/chenning0115/SpectralDiff

Advances in Data-Driven Analysis and Synthesis of 3D Indoor Scenes

This report surveys advances in deep learning-based modeling techniques that address four different 3D indoor scene analysis tasks, as well as synthesis of 3D indoor scenes. We describe different kinds of representations for indoor scenes, various indoor scene datasets available for research in the aforementioned areas, and discuss notable works employing machine learning models for such scene modeling tasks based on these representations. Specifically, we focus on the analysis and synthesis of 3D indoor scenes. With respect to analysis, we focus on four basic scene understanding tasks -- 3D object detection, 3D scene segmentation, 3D scene reconstruction and 3D scene similarity. And for synthesis, we mainly discuss neural scene synthesis works, though also highlighting model-driven methods that allow for human-centric, progressive scene synthesis. We identify the challenges involved in modeling scenes for these tasks and the kind of machinery that needs to be developed to adapt to the data representation, and the task setting in general. For each of these tasks, we provide a comprehensive summary of the state-of-the-art works across different axes such as the choice of data representation, backbone, evaluation metric, input, output, etc., providing an organized review of the literature. Towards the end, we discuss some interesting research directions that have the potential to make a direct impact on the way users interact and engage with these virtual scene models, making them an integral part of the metaverse.Comment: Published in Computer Graphics Forum, Aug 202

Artificial Intelligence in the Creative Industries: A Review

This paper reviews the current state of the art in Artificial Intelligence (AI) technologies and applications in the context of the creative industries. A brief background of AI, and specifically Machine Learning (ML) algorithms, is provided including Convolutional Neural Network (CNNs), Generative Adversarial Networks (GANs), Recurrent Neural Networks (RNNs) and Deep Reinforcement Learning (DRL). We categorise creative applications into five groups related to how AI technologies are used: i) content creation, ii) information analysis, iii) content enhancement and post production workflows, iv) information extraction and enhancement, and v) data compression. We critically examine the successes and limitations of this rapidly advancing technology in each of these areas. We further differentiate between the use of AI as a creative tool and its potential as a creator in its own right. We foresee that, in the near future, machine learning-based AI will be adopted widely as a tool or collaborative assistant for creativity. In contrast, we observe that the successes of machine learning in domains with fewer constraints, where AI is the `creator', remain modest. The potential of AI (or its developers) to win awards for its original creations in competition with human creatives is also limited, based on contemporary technologies. We therefore conclude that, in the context of creative industries, maximum benefit from AI will be derived where its focus is human centric -- where it is designed to augment, rather than replace, human creativity

Apprentissage automatique pour le codage cognitif de la parole

Depuis les années 80, les codecs vocaux reposent sur des stratégies de codage à court terme qui fonctionnent au niveau de la sous-trame ou de la trame (généralement 5 à 20 ms). Les chercheurs ont essentiellement ajusté et combiné un nombre limité de technologies disponibles (transformation, prédiction linéaire, quantification) et de stratégies (suivi de forme d'onde, mise en forme du bruit) pour construire des architectures de codage de plus en plus complexes. Dans cette thèse, plutôt que de s'appuyer sur des stratégies de codage à court terme, nous développons un cadre alternatif pour la compression de la parole en codant les attributs de la parole qui sont des caractéristiques perceptuellement importantes des signaux vocaux. Afin d'atteindre cet objectif, nous résolvons trois problèmes de complexité croissante, à savoir la classification, la prédiction et l'apprentissage des représentations. La classification est un élément courant dans les conceptions de codecs modernes. Dans un premier temps, nous concevons un classifieur pour identifier les émotions, qui sont parmi les attributs à long terme les plus complexes de la parole. Dans une deuxième étape, nous concevons un prédicteur d'échantillon de parole, qui est un autre élément commun dans les conceptions de codecs modernes, pour mettre en évidence les avantages du traitement du signal de parole à long terme et non linéaire. Ensuite, nous explorons les variables latentes, un espace de représentations de la parole, pour coder les attributs de la parole à court et à long terme. Enfin, nous proposons un réseau décodeur pour synthétiser les signaux de parole à partir de ces représentations, ce qui constitue notre dernière étape vers la construction d'une méthode complète de compression de la parole basée sur l'apprentissage automatique de bout en bout. Bien que chaque étape de développement proposée dans cette thèse puisse faire partie d'un codec à elle seule, chaque étape fournit également des informations et une base pour la prochaine étape de développement jusqu'à ce qu'un codec entièrement basé sur l'apprentissage automatique soit atteint. Les deux premières étapes, la classification et la prédiction, fournissent de nouveaux outils qui pourraient remplacer et améliorer des éléments des codecs existants. Dans la première étape, nous utilisons une combinaison de modèle source-filtre et de machine à état liquide (LSM), pour démontrer que les caractéristiques liées aux émotions peuvent être facilement extraites et classées à l'aide d'un simple classificateur. Dans la deuxième étape, un seul réseau de bout en bout utilisant une longue mémoire à court terme (LSTM) est utilisé pour produire des trames vocales avec une qualité subjective élevée pour les applications de masquage de perte de paquets (PLC). Dans les dernières étapes, nous nous appuyons sur les résultats des étapes précédentes pour concevoir un codec entièrement basé sur l'apprentissage automatique. un réseau d'encodage, formulé à l'aide d'un réseau neuronal profond (DNN) et entraîné sur plusieurs bases de données publiques, extrait et encode les représentations de la parole en utilisant la prédiction dans un espace latent. Une approche d'apprentissage non supervisé basée sur plusieurs principes de cognition est proposée pour extraire des représentations à partir de trames de parole courtes et longues en utilisant l'information mutuelle et la perte contrastive. La capacité de ces représentations apprises à capturer divers attributs de la parole à court et à long terme est démontrée. Enfin, une structure de décodage est proposée pour synthétiser des signaux de parole à partir de ces représentations. L'entraînement contradictoire est utilisé comme une approximation des mesures subjectives de la qualité de la parole afin de synthétiser des échantillons de parole à consonance naturelle. La haute qualité perceptuelle de la parole synthétisée ainsi obtenue prouve que les représentations extraites sont efficaces pour préserver toutes sortes d'attributs de la parole et donc qu'une méthode de compression complète est démontrée avec l'approche proposée.Abstract: Since the 80s, speech codecs have relied on short-term coding strategies that operate at the subframe or frame level (typically 5 to 20ms). Researchers essentially adjusted and combined a limited number of available technologies (transform, linear prediction, quantization) and strategies (waveform matching, noise shaping) to build increasingly complex coding architectures. In this thesis, rather than relying on short-term coding strategies, we develop an alternative framework for speech compression by encoding speech attributes that are perceptually important characteristics of speech signals. In order to achieve this objective, we solve three problems of increasing complexity, namely classification, prediction and representation learning. Classification is a common element in modern codec designs. In a first step, we design a classifier to identify emotions, which are among the most complex long-term speech attributes. In a second step, we design a speech sample predictor, which is another common element in modern codec designs, to highlight the benefits of long-term and non-linear speech signal processing. Then, we explore latent variables, a space of speech representations, to encode both short-term and long-term speech attributes. Lastly, we propose a decoder network to synthesize speech signals from these representations, which constitutes our final step towards building a complete, end-to-end machine-learning based speech compression method. The first two steps, classification and prediction, provide new tools that could replace and improve elements of existing codecs. In the first step, we use a combination of source-filter model and liquid state machine (LSM), to demonstrate that features related to emotions can be easily extracted and classified using a simple classifier. In the second step, a single end-to-end network using long short-term memory (LSTM) is shown to produce speech frames with high subjective quality for packet loss concealment (PLC) applications. In the last steps, we build upon the results of previous steps to design a fully machine learning-based codec. An encoder network, formulated using a deep neural network (DNN) and trained on multiple public databases, extracts and encodes speech representations using prediction in a latent space. An unsupervised learning approach based on several principles of cognition is proposed to extract representations from both short and long frames of data using mutual information and contrastive loss. The ability of these learned representations to capture various short- and long-term speech attributes is demonstrated. Finally, a decoder structure is proposed to synthesize speech signals from these representations. Adversarial training is used as an approximation to subjective speech quality measures in order to synthesize natural-sounding speech samples. The high perceptual quality of synthesized speech thus achieved proves that the extracted representations are efficient at preserving all sorts of speech attributes and therefore that a complete compression method is demonstrated with the proposed approach