Tactual perception: a review of experimental variables and procedures

This paper reviews literature on tactual perception. Throughout this review we will highlight some of the most relevant variables in touch literature: interaction between touch and other senses; type of stimuli, from abstract stimuli such as vibrations, to two- and three-dimensional stimuli, also considering concrete stimuli such as the relation between familiar and unfamiliar stimuli or the haptic perception of faces; type of participants, separating studies with blind participants, studies with children and adults, and an analysis of sex differences in performance; and finally, type of tactile exploration, considering conditions of active and passive touch, the relevance of movement in touch and the relation between exploration and time. This review intends to present an organised overview of the main variables in touch experiments, attending to the main findings described in literature, to guide the design of future works on tactual perception and memory.This work was funded by the Portuguese “Foundation for Science and Technology” through PhD scholarship SFRH/BD/35918/2007

Psychosocial factors in functional articulation disorders revealed through parent interviews

Thesis (Ed.M.)--Boston Universit

Mathematics and Its Applications, A Transcendental-Idealist Perspective

This monograph offers a fresh perspective on the applicability of mathematics in science. It explores what mathematics must be so that its applications to the empirical world do not constitute a mystery. In the process, readers are presented with a new version of mathematical structuralism. The author details a philosophy of mathematics in which the problem of its applicability, particularly in physics, in all its forms can be explained and justified. Chapters cover: mathematics as a formal science, mathematical ontology: what does it mean to exist, mathematical structures: what are they and how do we know them, how different layers of mathematical structuring relate to each other and to perceptual structures, and how to use mathematics to find out how the world is. The book simultaneously develops along two lines, both inspired and enlightened by Edmund Husserl’s phenomenological philosophy. One line leads to the establishment of a particular version of mathematical structuralism, free of “naturalist” and empiricist bias. The other leads to a logical-epistemological explanation and justification of the applicability of mathematics carried out within a unique structuralist perspective. This second line points to the “unreasonable” effectiveness of mathematics in physics as a means of representation, a tool, and a source of not always logically justified but useful and effective heuristic strategies

A Framework of Distinct Musical Chills: Theoretical, Causal, and Conceptual Evidence

The phenomenon of musical chills has attracted extensive attention in previous music and emotion research, correlating the experience with musical structure, psychoacoustics parameters, individual differences in listeners, and the listening situation. However, there are three crucial limitations in the literature: 1) The emotional characteristics of musical chills have not been explored, and are poorly understood; 2) musical chills have never been causally manipulated, and no theories have been tested; and 3) it is unclear whether chills are a unified psychological construct, or a set of distinct experiences, distinguished at the levels of subjective feeling, psychophysiological response, individual differences, and underlying psychological induction mechanisms. Across five studies, ranging from qualitative surveys to experimental manipulations of musical chills, these limitations were addressed in the current thesis, with results suggesting firstly that musical chills are often mixed emotional experiences, described as moving, bittersweet and intense; secondly, that musical chills can be manipulated, and corresponding theories tested, with a novel experimental paradigm, by removing key sections in a piece or changing psychoacoustic parameters such as loudness and brightness; finally, that there are likely distinct types of chills experiences, which across multimedia are linked to both the affective dimension of valence and individual differences such as trait empathy, and with music through mechanisms of fear and vigilance on the one hand, and social bonding on the other. The studies and results are discussed in terms of two categories of musical chills experiences, culminating in a preliminary Distinct Musical Chills Framework, producing a series of testable hypotheses for future empirical work, and a comprehensive research agenda for the field moving forward

Difference and Demand: Toward a Levinasian Psychopathology

Difference and Demand: Toward a Levinasian Psychopatholog