Aesthetic-Driven Image Enhancement by Adversarial Learning

We introduce EnhanceGAN, an adversarial learning based model that performs automatic image enhancement. Traditional image enhancement frameworks typically involve training models in a fully-supervised manner, which require expensive annotations in the form of aligned image pairs. In contrast to these approaches, our proposed EnhanceGAN only requires weak supervision (binary labels on image aesthetic quality) and is able to learn enhancement operators for the task of aesthetic-based image enhancement. In particular, we show the effectiveness of a piecewise color enhancement module trained with weak supervision, and extend the proposed EnhanceGAN framework to learning a deep filtering-based aesthetic enhancer. The full differentiability of our image enhancement operators enables the training of EnhanceGAN in an end-to-end manner. We further demonstrate the capability of EnhanceGAN in learning aesthetic-based image cropping without any groundtruth cropping pairs. Our weakly-supervised EnhanceGAN reports competitive quantitative results on aesthetic-based color enhancement as well as automatic image cropping, and a user study confirms that our image enhancement results are on par with or even preferred over professional enhancement

Learned Perceptual Image Enhancement

Learning a typical image enhancement pipeline involves minimization of a loss function between enhanced and reference images. While L1 and L2 losses are perhaps the most widely used functions for this purpose, they do not necessarily lead to perceptually compelling results. In this paper, we show that adding a learned no-reference image quality metric to the loss can significantly improve enhancement operators. This metric is implemented using a CNN (convolutional neural network) trained on a large-scale dataset labelled with aesthetic preferences of human raters. This loss allows us to conveniently perform back-propagation in our learning framework to simultaneously optimize for similarity to a given ground truth reference and perceptual quality. This perceptual loss is only used to train parameters of image processing operators, and does not impose any extra complexity at inference time. Our experiments demonstrate that this loss can be effective for tuning a variety of operators such as local tone mapping and dehazing