4,405 research outputs found
Examples of works to practice staccato technique in clarinet instrument
Klarnetin staccato tekniğini güçlendirme aşamaları eser çalışmalarıyla uygulanmıştır. Staccato
geçişlerini hızlandıracak ritim ve nüans çalışmalarına yer verilmiştir. Çalışmanın en önemli amacı
sadece staccato çalışması değil parmak-dilin eş zamanlı uyumunun hassasiyeti üzerinde de
durulmasıdır. Staccato çalışmalarını daha verimli hale getirmek için eser çalışmasının içinde etüt
çalışmasına da yer verilmiştir. Çalışmaların üzerinde titizlikle durulması staccato çalışmasının ilham
verici etkisi ile müzikal kimliğe yeni bir boyut kazandırmıştır. Sekiz özgün eser çalışmasının her
aşaması anlatılmıştır. Her aşamanın bir sonraki performans ve tekniği güçlendirmesi esas alınmıştır.
Bu çalışmada staccato tekniğinin hangi alanlarda kullanıldığı, nasıl sonuçlar elde edildiği bilgisine
yer verilmiştir. Notaların parmak ve dil uyumu ile nasıl şekilleneceği ve nasıl bir çalışma disiplini
içinde gerçekleşeceği planlanmıştır. Kamış-nota-diyafram-parmak-dil-nüans ve disiplin
kavramlarının staccato tekniğinde ayrılmaz bir bütün olduğu saptanmıştır. Araştırmada literatür
taraması yapılarak staccato ile ilgili çalışmalar taranmıştır. Tarama sonucunda klarnet tekniğin de
kullanılan staccato eser çalışmasının az olduğu tespit edilmiştir. Metot taramasında da etüt
çalışmasının daha çok olduğu saptanmıştır. Böylelikle klarnetin staccato tekniğini hızlandırma ve
güçlendirme çalışmaları sunulmuştur. Staccato etüt çalışmaları yapılırken, araya eser çalışmasının
girmesi beyni rahatlattığı ve istekliliği daha arttırdığı gözlemlenmiştir. Staccato çalışmasını yaparken
doğru bir kamış seçimi üzerinde de durulmuştur. Staccato tekniğini doğru çalışmak için doğru bir
kamışın dil hızını arttırdığı saptanmıştır. Doğru bir kamış seçimi kamıştan rahat ses çıkmasına
bağlıdır. Kamış, dil atma gücünü vermiyorsa daha doğru bir kamış seçiminin yapılması gerekliliği
vurgulanmıştır. Staccato çalışmalarında baştan sona bir eseri yorumlamak zor olabilir. Bu açıdan
çalışma, verilen müzikal nüanslara uymanın, dil atış performansını rahatlattığını ortaya koymuştur.
Gelecek nesillere edinilen bilgi ve birikimlerin aktarılması ve geliştirici olması teşvik edilmiştir.
Çıkacak eserlerin nasıl çözüleceği, staccato tekniğinin nasıl üstesinden gelinebileceği anlatılmıştır.
Staccato tekniğinin daha kısa sürede çözüme kavuşturulması amaç edinilmiştir. Parmakların
yerlerini öğrettiğimiz kadar belleğimize de çalışmaların kaydedilmesi önemlidir. Gösterilen azmin ve
sabrın sonucu olarak ortaya çıkan yapıt başarıyı daha da yukarı seviyelere çıkaracaktır
Building body identities - exploring the world of female bodybuilders
This thesis explores how female bodybuilders seek to develop and maintain a viable sense of self despite being stigmatized by the gendered foundations of what Erving Goffman (1983) refers to as the 'interaction order'; the unavoidable presentational context in which identities are forged during the course of social life. Placed in the context of an overview of the historical treatment of women's bodies, and a concern with the development of bodybuilding as a specific form of body modification, the research draws upon a unique two year ethnographic study based in the South of England, complemented by interviews with twenty-six female bodybuilders, all of whom live in the U.K. By mapping these extraordinary women's lives, the research illuminates the pivotal spaces and essential lived experiences that make up the female bodybuilder. Whilst the women appear to be embarking on an 'empowering' radical body project for themselves, the consequences of their activity remains culturally ambivalent. This research exposes the 'Janus-faced' nature of female bodybuilding, exploring the ways in which the women negotiate, accommodate and resist pressures to engage in more orthodox and feminine activities and appearances
The Adirondack Chronology
The Adirondack Chronology is intended to be a useful resource for researchers and others interested in the Adirondacks and Adirondack history.https://digitalworks.union.edu/arlpublications/1000/thumbnail.jp
The Angel of Art Sees the Future Even as She Flies Backwards: Enabling Deep Relational Encounter Through Participatory Practice-Based Research.
This research addresses the current lack of opportunity within interdisciplinary arts practices for deep one-to-one relational encounters between creative practitioners operating in applied arts, performance, and workshop contexts with participant-subjects. This artistic problem is situated within the wider culture of pervasive social media, which continues to shape our interactions into forms that are characteristically faster, shorter, and more fragmented than ever before. Such dispersal of our attention is also accelerating our inability to deeply focus or relate for any real length of time. These modes of engaging within our technologically permeated, cosmopolitan and global society is escalating relational problems. Coupled with a constant bombardment of unrealistic visual images, mental health difficulties are also consequently rising, cultivating further issues such as identity ‘splitting’, (Lopez-Fernandez, 2019). In the context of the arts, this thesis proposes that such relational lack cannot be solved by one singular art form, one media modality, one existing engagement approach, or within a short participatory timeframe.
Key to the originality of my thesis is the deliberate embodiment of a maternal experience. Feminist Lise Haller-Ross’ proposes that there is a ‘mother shaped hole in the art world’ and that, ‘as with the essence of the doughnut – we don’t need another hole for the doughnut, we need a whole new recipe’ (conference address, 2015). Indeed, her assertion encapsulates a need for different types of artistic and relational ingredients to be found. I propose these can be discovered within particular forms of maternal love; nurture; caring, and through conceptual relational states of courtship; intercourse; gestation, and birth. Furthermore, my maternal emphasis builds on: feminist, artist, and psychotherapist Bracha Ettinger’s (2006; 2015) notions of maternal, cohabitation and carrying; architect and phenomenologist Juhani Pallasmaa’s (2012) views on sensing and feeling; child psychoanalyst Donald Winnicott’s (1971) thoughts on transitional phenomena and perceptions of holding. Such psychotherapeutic and phenomenological theories are imbricated in-action within my multimodal arts processes. Additionally, by deliberately not privileging the ocular, I engage all my project participants senses and distil their multimodal data through an extended form of somatic and artistic Interpretive Phenomenological Analysis (IPA), (Smith, Flowers, and Larkin, 2009). IPA usefully focuses on the importance of the thematic and idiographic in terms of new knowledge generation, with an analytical focus on lived experience. Indeed, whilst the specifics of the participants in my minor and major projects are unique, my research activates and makes valid, findings that are collectively beneficial to the disciplines of applied and interdisciplinary arts; the field of practice-based research, and beyond.
My original contribution to new knowledge as argued by this thesis, comprises both this text exposition and my practice. This sees the final generation of a new multimodal arts Participatory Practice-Based Framework (PartPb). Through this framework, the researcher-practitioner is seen to adopt a maternal role to gently guide project participants through four phases of co-created multimodal artwork generation. The four participatory ‘Phases’ are: Phase 1: Courtship – Digital Dialogues; Phase 2: Intercourse – Performative Encounters; Phase 3: Gestation – Screen Narratives; Phase 4: Birth – Relational Artworks. The framework also contains six researcher-only ‘Stages’: Stage 1: Participant Selection; Stage 2: Checking Distilled Themes; Stage 3: Location and Object Planning; Stage 4: Noticing, Logging, Sourcing; Stage 5: Collaboration and Construction; Stage 6: Releasing, Gifting, Recruiting. This new PartPb framework, is realised within a series of five practice-based (Pb) artworks called, ‘Minor Projects 1-5’, (2015-16) and Final Major Project, ‘Transformational Encounters: Touch, Traction, Transform’ (TETTT), (2018). These projects are likewise shaped through action-research processes of iterative testing, as developed from Candy and Edmonds (2010) Practice-based Research (PbR) trajectory. In my new PartPb framework, Candy, and Edmonds’ PbR processes are originally combined with a form of Fritz and Laura Perl’s Gestalt Experience Cycle (1947). This innovative fusion I come to term as a form of ‘Feeling Architecture,’ which is procedurally proven to hold and carry both researcher and participants alike, safely, ethically, and creatively through all Phases and Stages of artefact generation. Specifically, my new multimodal PartPb framework offers new knowledge to the field of Practice-Based Research (PbR) and practitioners working in multimodal arts and applied performance contexts. Due to its participatory focus, I develop on the term Practice-Based Research, (Candy and Edmonds, 2010) to coin the term Participatory Practice-Based Research, (PartPbR).
The unique combination of multimodal arts and social-psychological methodologies underpinning my framework also has the potential to contribute to broader Arts, Well-Being, and Creative Health agendas, such as the UK government’s Social Prescribing and Arts and Health initiatives. My original framework offers future researchers’ opportunities to further develop, enhance and enrich individual and community well-being through its application to their own projects, and, in doing so, also starts to challenge unhelpful art binaries that still position community arts practices as somehow lesser to higher art disciplines
Seeing the wood and the trees? Lessons from applying ecosystem services in forest planning
In the UK and globally, forestry is experiencing an upsurge in interest as forests are
anticipated to play a major role in addressing the twin crises of biodiversity loss and climate
change that our society currently face. In the UK, forest management has traditionally
focused on timber production yet forests provide many more ecosystem services (ES),
including climate mitigation, slope stabilisation, and numerous wider ecological and social
benefits. Forestry requires long-term planning, and so understanding the impacts of
forest management is a critical part of predicting the future supply of these benefits, that
can then inform decision-making. This thesis has taken a transdisciplinary approach
to operationalise evidence of management impacts on ES to support planning and
management decision-making for a public forest case study in Scotland.
The research questions address three key areas: the link between management and the
supply of ES; demand for ES from the public as a key stakeholder of the public forest
estate; and the use of quantified ES information for supporting forest planning. There is
a growing body of published research on forest ES; this was reviewed to synthesise the
evidence of impacts of management on supply, and the trade-offs and synergies resulting
from different management approaches. The review showed that maintaining the supply of
ES at the forest scale will require a range of management approaches that build resilience
in forests in the face of socio-economic and climate change uncertainty.
A collaborative, case study approach was identified at the outset as critical to meet the
thesis aims. The project was co-developed with a Forest Planning Manager (FM), and the
activities undertaken formed five phases:
Phase 1. Problem scoping and definition, to identify knowledge gaps and research
questions, and select the case study forest. The chosen forest in northwest Scotland is
a predominantly spruce plantation that is important for timber production, recreation and
habitat for a protected species.
Phase 2. Data collection for baseline ES supply, and current and future ES demand: to
address one of the main knowledge gaps identified during Phase 1. Forest users and local
communities were surveyed and the results showed general support for environmental,
health and wellbeing outcomes, while timber production, climate mitigation and economic
growth have lower priority.
Phase 3. Baseline ES mapping: to test the usefulness of these data for operational
decision-making. ES supply hotspots of timber, carbon storage, recreation and
biodiversity benefits were mapped, which highlighted areas where there may be conflicts
in achieving multiple benefits. Hotspot mapping methods were compared with the FM,
who found that individual ES maps were most informative for operational decision-making.
Phase 4. Scenario development and modelling: to explore how ES supply may change
in future in response to management, including the impact of climate change. Forest
development was simulated for 150 years to understand future ES supply under business
as usual management using a dynamically coupled modelling approach. These results
were then compared with alternative management scenarios developed with the FM.
Phase 5. Data visualisation, feedback and reflection: to provide the modelling results in an
interactive form that can support the forest planning process, and reflect on the research
process to learn lessons for the future. A data visualisation dashboard was developed that
the FM found useful for exploring the results, although there were unresolved challenges
related to interpretation, particularly benchmarking and scaling issues.
Overall, the main findings of the thesis showed that forest structure is more important
than species for ES supply in this type of forest. In addition, forest management intensity
decisions have more impact than climate in this region on future ES supply. The study
showed that there are more trade-offs among ES under higher intensity management,
and more synergies under lower intensity management. The simulation showed that time
lags must be anticipated and accepted for delivering a wider suite of ES than timber. The
ES framework provides a suitable method for delivering evidence that demonstrates how
management influences the supply of benefits beyond the wood it supplies that can inform
forest planning. It showed that there are time lags in ES responses to management, and
that the scale at which ES are reported can have important consequences for measuring
change. This is a challenge for using ES in planning. Co-developing the approach ensured
the results were salient, as they resulted in direct instrumental changes to the new forest
management plan that are intended to deliver wider environmental and social benefits in
the future. There were also wider benefits from this project, such as improved awareness
of the link between management and ES supply that the FM can apply in future planning
decision-making
Theatre, performance and digital culture
A thesis submitted to the University of Wolverhampton in partial fulfilment of the requirement of the degree of Doctor of Philosophy.This thesis proposes that the theory of aesthetic agency derived from gaming in digital culture may be used as a lens through which live theatre and performance may be analysed. I argue that the aesthetics, immersion and play with identity in live theatre and performance are informed by digital culture through the behaviour and agency of the participants, be they audience or participants. Using a grounded theory methodological approach, four large-scale outdoor immersive productions and two traditional theatrical productions have been selected to provide a comparative analysis using aesthetic agency.
Aesthetic agency is central to the analysis of immersion and play with identity in the productions selected. Comprising intention, perceivable consequence, narrative potential, transformation, co-presence and presence aesthetic agency is the feeling of pleasure audience and participants derive through the experience of live theatre and performance. Analysis using aesthetic agency in immersive productions examines qualities such as interaction and participation, discovery, understanding social rules, proximity to points of engagement within the performance, the use of narrative or gameplay, liminality and the suspension of disbelief and the use of physical or imaginary boundaries. Aesthetic agency in play with identity uses qualities of transportation, presence and co-presence and is analysed using themes of liminality, ritual, agency and memory which offer the opportunity of real experience within the virtual environments.
The outcomes of the study highlight the opportunities to analyse and understand the meaning making process in live theatre and performance in a new manner through the lens of aesthetic agency derived from digital culture. Through examples, the outcomes show how digital culture theory may be used in live theatre and performance to examine and explain the experience for spectators and participants. The future use of aesthetic agency as a dramaturgical tool then becomes a possibility which may enhance the development process and enrich the subsequent experience of spectators and participants. Further, aesthetic agency may find utility as a dramaturgical tool when used to aid the creation of new live productions
Modelling Malaysia residents’ behavioural intention to use smartwatch: the role of health technology and device benefits
Consumer smartwatches have been accessible for the worldwide consumer market since 2012 when Sony Corporation first offered them to the market. According to numerous smartwatch technology adoption journals, consumer smartwatch functionalities such as health technology, infotainment and communications, supported living and safety, and lifestyle and fashion are beneficial for social well-being. Researchers hypothesised that these practical applications which automatically manage individual personal information,
simplify infotainment and communications, support safety and complement individual social lifestyles can improve individual social well-being and professional productivity.
However, despite numerous benefits of consumer smartwatch technology, Malaysia population with good ICT and digital technology literacy have been slow to embrace
smartwatches in comparison to other regional and global countries. Furthermore, smartwatch adoption research in Malaysia is still in its early stages, with only a few
published studies accessible. These practical issues are the motivation for this study to
examine Malaysia residents’ behavioural intention to use a consumer smartwatch.
This study tested the factors that influence Malaysia residents’ behavioural intention to use a consumer smartwatch by adapting and extending the UTAUT2 theory
with health technology and design benefit in a single study. The conceptual model consists of seven determinants with seven hypotheses representing technical, social, economic,
health technology, and design benefit. The research process emphasised theory to practice inquiry technique, ethical practises, attaining reliability and validity, and bias minimization targeting a confidence level of 95% with an error margin of ±5%. The study empirically tested 366 valid responses from Malaysia residents collected using an online crosssectional self-administered survey questionnaire.
Structural equation modelling was used to analyse the suggested conceptual model. Effort expectancy and price value were found to not influence Malaysia residents'
behavioural intention to use a consumer smartwatch. Performance expectancy, social influence, health technology, and design benefits all have significant effects and positive influences on Malaysian residents' behavioural intention to use a smartwatch, while hedonic motivation has a significant effect and negative influence. These constructs were found to explain 65% of the proposed model behavioural intention.
In conclusion, this study empirical findings based on extending the UTAUT2 theory generate awareness of the importance of performance expectancy, social influence,
and hedonic motivation, health technology and design benefits in influencing Malaysians' iv
behavioural intention to use a consumer smartwatch. The insights generated by this study
based on the UTAUT2 theory provide new empirical information on the influence of
health technology and design benefit which did previously not exist in any of the existing
Malaysia smartwatch adoption research. The findings provide new reference dimensions
for consumer smartwatch manufacturers seeking to improve their understanding of the
Malaysia consumer smartwatch market
Insider Views on English Language Pathway Programmes to Australian Universities
This chapter reports the findings of doctoral research on trauma-informed teaching of English as a second language (ESL) at three university English language centres in Australia. Trauma and post-traumatic stress affect verbal learning and concentration, yet most ESL teachers do not receive formal training in teaching traumatised English language learners (ELLs). The field has suffered from a dearth of empirical studies, and student voice is often absent from the research. Most previous research has focused on refugee students, with little attention paid to international students, trauma, and learning an additional language. This qualitative study used a validated tool to measure the post-traumatic stress responses of 39 participants, including international students, immigrants, and former refugees. Twenty of these students completed semi-structured interviews about the ESL learning environment, based on a framework of trauma-informed principles. Data were analysed using critical, qualitative methods through a trauma-informed lens. A major theme that emerged in the findings was the importance of ESL teachers’ understanding of and responsiveness towards students. Within this theme, four sub-themes are explored: personal engagement and attention, acceptance and understanding of the ELL role, understanding the lives of students outside the classroom, and an understanding of students’ cultures
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