543 research outputs found
Reading Greek and Hellenistic-Roman Spolia:Objects, Appropriation and Cultural Change
Plundering and taking home precious objects from a defeated enemy was a widespread activity in the Greek and Hellenistic-Roman world. In this volume literary critics, historians and archaeologists join forces in investigating this phenomenon in terms of appropriation and cultural change. In-depth interpretations of famous ancient spoliations, like that of the Greeks after Plataea or the Romans after the capture of Jerusalem, reveal a fascinating paradox: while the material record shows an eager incorporation of new objects, the texts display abhorrence of the negative effects they were thought to bring along. As this volume demonstrates, both reactions testify to the crucial innovative impact objects from abroad may have
2017 GREAT Day Program
SUNY Geneseo’s Eleventh Annual GREAT Day.https://knightscholar.geneseo.edu/program-2007/1011/thumbnail.jp
Food - Media - Senses: Interdisciplinary Approaches
Food is more than just nutrition. Its preparation, presentation and consumption is a multifold communicative practice which includes the meal's design and its whole field of experience. How is food represented in cookbooks, product packaging or in paintings? How is dining semantically charged? How is the sensuality of eating treated in different cultural contexts? In order to acknowledge the material and media-related aspects of eating as a cultural praxis, experts from media studies, art history, literary studies, philosophy, experimental psychology, anthropology, food studies, cultural studies and design studies share their specific approaches
Brain Computations and Connectivity [2nd edition]
This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read on the Oxford Academic platform and offered as a free PDF download from OUP and selected open access locations.
Brain Computations and Connectivity is about how the brain works. In order to understand this, it is essential to know what is computed by different brain systems; and how the computations are performed.
The aim of this book is to elucidate what is computed in different brain systems; and to describe current biologically plausible computational approaches and models of how each of these brain systems computes.
Understanding the brain in this way has enormous potential for understanding ourselves better in health and in disease. Potential applications of this understanding are to the treatment of the brain in disease; and to artificial intelligence which will benefit from knowledge of how the brain performs many of its extraordinarily impressive functions.
This book is pioneering in taking this approach to brain function: to consider what is computed by many of our brain systems; and how it is computed, and updates by much new evidence including the connectivity of the human brain the earlier book: Rolls (2021) Brain Computations: What and How, Oxford University Press.
Brain Computations and Connectivity will be of interest to all scientists interested in brain function and how the brain works, whether they are from neuroscience, or from medical sciences including neurology and psychiatry, or from the area of computational science including machine learning and artificial intelligence, or from areas such as theoretical physics
A Step into the Past: Approaches to Identity, Communications and Material Culture in South-Eastern European Archaeology; Papers dedicated to Petar Popović for his 78th birthday
Papers dedicated to Petar Popović for his 78th birthda
Sex & Drugs & Rock’n’Roll A moral Odyssey retold by Homer, Joyce and Duchamp
In 2023, one century after Marcel Duchamp completed his work on the Large Glass, a book comes to suggest that it is not self-referential but has specific protagonists, locations and details that convey a timeless moral lesson about archetypal issues that human nature is perpetually tormented with – Sex (lust) & Drugs (intoxication) & Rock’n’Roll (violence).
By choice, Duchamp never directly referred to Homer regarding the Glass, and this work has been analysed by many scholars in different ways. When Dr Megakles Rogakos came across the work in 2000, the detail of the Oculist Witnesses on it prompted him to sense their possible connection with the Trial of the Bow in Homer’s Odyssey, and he spoke about it in a related talk at London’s Tate Gallery on 10 August of the same year. He made this theory the subject of his PhD thesis (2012-2016) at the University of Essex entitled “A Joycean Exegesis of The Large Glass: Homeric Traces in the Postmodernism of Marcel Duchamp”. The Homeric exegesis of Duchamp’s Glass through Joyce’s Ulysses aims to confirm the atavistic theory that the ancient is present in the contemporary. The Glass, like the Homeric Odyssey, as revisited in Ulysses, may be thought to be some kind of moralising treatise on the temptations of man to fall prey to the three deadliest sins throughout human history – lust of flesh; indulgence in drugs; craving for power, as discussed separately in chapters of the book (see III.9; III.8; III.12) and gave its title – “Sex & Drugs & Rock’n’Roll”, after Ian Dury’s censored song of 1977. If its Joycean exegesis is proven, then the Glass may enigmatically emerge as a Homeric paradigm of man’s initiation to inner freedom, which Duchamp called the “beauty of indifference”. Dr Eleftherios Anevlavis, translator of Joyce’s Ulysses and Wake, writes: “Dr Rogakos’ exegesis is an impressive intellectual creation, enriched with the practices of decipherment and the art of writing, but at the same time created by the experiences and exhaustive study of culture from Homer to Yoko Ono and of the cosmos from the cave paintings of Lascaux to the constellation of the Pleiades.” Remarkably, with his theory of the appropriation of Homer’s Odyssey in Duchamp’s Glass, Dr Rogakos offers a refreshingly tongue-in-cheek explanation of postmodernism’s relationship to antiquity
Northeast Insulae Project: Context and Analysis (revised edition)
This volume of the Final Report places the excavation of the northeast insulae into its historical and archaeological context and draws interpretive conclusions from the work done. Much of the material presented here is repeated in a second volume which recounts the history of the project sequentially. But the focus in this volume is on interpretation of the material remains in their context.https://digitalcommons.csp.edu/nip-final/1003/thumbnail.jp
Beethoven and the Piano: Philology, Context and Performance Practice
Together with the symphonies and the string quartets, the piano works build up the core of Beethoven’s output, both considering their compositional ambitiousness as well as their reception. This book reflects the state of the art for research on these topics on the occasion of the Beethoven jubilee year 2020. Beethoven’s piano works are considered along three main perspectives. The first concerns the relationship between the notated score and its performance. A key issue of performance practice studies from any epoch is the degree of information implied in the presence or absence of certain notational signs. If no contrary indication is present, the performer is supposed to resort to common standard practice. But what was precisely standard practice in the time of deep transformation in which Beethoven lived? And was the composer himself not constantly unsettling the rules and consciously working against expectations of any kind? In order to interpret the suggestions contained in the notation, the work of philology is obviously a necessary premise. Though generations of scholars have examined the sources, new insights can still be gathered from the manuscripts and the printed scores, regarding the composer’s working habits in preparing his compositions, or some peculiar traits of notation that he invented. Finally, Beethoven’s times witnessed the greatest development also in piano building. Many questions remain indeed open on the instruments he knew and played, which have wide-ranging consequences on how today’s scholar and performer should view his piano compositions
World History, Volume 1: To 1500
World History, Volume 1: to 1500 is designed to meet the scope and sequence of a world history course to 1500 offered at both two-year and four-year institutions. Suitable for both majors and non majors World History, Volume 1: to 1500 introduces students to a global perspective of history couched in an engaging narrative. Concepts and assessments help students think critically about the issues they encounter so they can broaden their perspective of global history. A special effort has been made to introduce and juxtapose people’s experiences of history for a rich and nuanced discussion. Primary source material represents the cultures being discussed from a firsthand perspective whenever possible. World History, Volume 1: to 1500 also includes the work of diverse and underrepresented scholars to ensure a full range of perspectives
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