Action Recognition in Video Using Sparse Coding and Relative Features

This work presents an approach to category-based action recognition in video using sparse coding techniques. The proposed approach includes two main contributions: i) A new method to handle intra-class variations by decomposing each video into a reduced set of representative atomic action acts or key-sequences, and ii) A new video descriptor, ITRA: Inter-Temporal Relational Act Descriptor, that exploits the power of comparative reasoning to capture relative similarity relations among key-sequences. In terms of the method to obtain key-sequences, we introduce a loss function that, for each video, leads to the identification of a sparse set of representative key-frames capturing both, relevant particularities arising in the input video, as well as relevant generalities arising in the complete class collection. In terms of the method to obtain the ITRA descriptor, we introduce a novel scheme to quantify relative intra and inter-class similarities among local temporal patterns arising in the videos. The resulting ITRA descriptor demonstrates to be highly effective to discriminate among action categories. As a result, the proposed approach reaches remarkable action recognition performance on several popular benchmark datasets, outperforming alternative state-of-the-art techniques by a large margin.Comment: Accepted to CVPR 201

A novel method for subjective picture quality assessment and further studies of HDTV formats

This is the author's accepted manuscript. The final published article is available from the link below. Copyright @ IEEE 2008.This paper proposes a novel method for the assessment of picture quality, called triple stimulus continuous evaluation scale (TSCES), to allow the direct comparison of different HDTV formats. The method uses an upper picture quality anchor and a lower picture quality anchor with defined impairments. The HDTV format under test is evaluated in a subjective comparison with the upper and lower anchors. The method utilizes three displays in a particular vertical arrangement. In an initial series of tests with the novel method, the HDTV formats 1080p/50,1080i/25, and 720p/50 were compared at various bit-rates and with seven different content types on three identical 1920 times 1080 pixel displays. It was found that the new method provided stable and consistent results. The method was tested with 1080p/50,1080i/25, and 720p/50 HDTV images that had been coded with H.264/AVC High profile. The result of the assessment was that the progressive HDTV formats found higher appreciation by the assessors than the interlaced HDTV format. A system chain proposal is given for future media production and delivery to take advantage of this outcome. Recommendations for future research conclude the paper

Distributed video coding for wireless video sensor networks: a review of the state-of-the-art architectures

Distributed video coding (DVC) is a relatively new video coding architecture originated from two fundamental theorems namely, Slepian–Wolf and Wyner–Ziv. Recent research developments have made DVC attractive for applications in the emerging domain of wireless video sensor networks (WVSNs). This paper reviews the state-of-the-art DVC architectures with a focus on understanding their opportunities and gaps in addressing the operational requirements and application needs of WVSNs