539 research outputs found

    Segmentation sémantique des contenus audio-visuels

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    Dans ce travail, nous avons mis au point une mĂ©thode de segmentation des contenus audiovisuels applicable aux appareils de stockage domestiques pour cela nous avons expĂ©rimentĂ© un systĂšme distribuĂ© pour l’analyse du contenu composĂ© de modules individuels d’analyse : les Service Unit. L’un d’entre eux a Ă©tĂ© dĂ©diĂ© Ă  la caractĂ©risation des Ă©lĂ©ments hors contenu, i.e. les publicitĂ©s, et offre de bonnes performances. ParallĂšlement, nous avons testĂ© diffĂ©rents dĂ©tecteurs de changement de plans afin de retenir le meilleur d’entre eux pour la suite. Puis, nous avons proposĂ© une Ă©tude des rĂšgles de production des films, i.e. grammaire de films, qui a permis de dĂ©finir les sĂ©quences de Parallel Shot. Nous avons, ainsi, testĂ© quatre mĂ©thodes de regroupement basĂ©es similaritĂ© afin de retenir la meilleure d’entre elles pour la suite. Finalement, nous avons recherchĂ© diffĂ©rentes mĂ©thodes de dĂ©tection des frontiĂšres de scĂšnes et avons obtenu les meilleurs rĂ©sultats en combinant une mĂ©thode basĂ©e couleur avec un critĂšre de longueur de plan. Ce dernier offre des performances justifiant son intĂ©gration dans les appareils de stockage grand public.In this work we elaborated a method for semantic segmentation of audiovisual content applicable for consumer electronics storage devices. For the specific solution we researched first a service-oriented distributed multimedia content analysis framework composed of individual content analysis modules, i.e. Service Units. One of the latter was dedicated to identify non-content related inserts, i.e. commercials blocks, which reached high performance results. In a subsequent step we researched and benchmarked various Shot Boundary Detectors and implement the best performing one as Service Unit. Here after, our study of production rules, i.e. film grammar, provided insights of Parallel Shot sequences, i.e. Cross-Cuttings and Shot-Reverse-Shots. We researched and benchmarked four similarity-based clustering methods, two colour- and two feature-point-based ones, in order to retain the best one for our final solution. Finally, we researched several audiovisual Scene Boundary Detector methods and achieved best results combining a colour-based method with a shot length based criteria. This Scene Boundary Detector identified semantic scene boundaries with a robustness of 66% for movies and 80% for series, which proofed to be sufficient for our envisioned application Advanced Content Navigation

    Highly efficient low-level feature extraction for video representation and retrieval.

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    PhDWitnessing the omnipresence of digital video media, the research community has raised the question of its meaningful use and management. Stored in immense multimedia databases, digital videos need to be retrieved and structured in an intelligent way, relying on the content and the rich semantics involved. Current Content Based Video Indexing and Retrieval systems face the problem of the semantic gap between the simplicity of the available visual features and the richness of user semantics. This work focuses on the issues of efficiency and scalability in video indexing and retrieval to facilitate a video representation model capable of semantic annotation. A highly efficient algorithm for temporal analysis and key-frame extraction is developed. It is based on the prediction information extracted directly from the compressed domain features and the robust scalable analysis in the temporal domain. Furthermore, a hierarchical quantisation of the colour features in the descriptor space is presented. Derived from the extracted set of low-level features, a video representation model that enables semantic annotation and contextual genre classification is designed. Results demonstrate the efficiency and robustness of the temporal analysis algorithm that runs in real time maintaining the high precision and recall of the detection task. Adaptive key-frame extraction and summarisation achieve a good overview of the visual content, while the colour quantisation algorithm efficiently creates hierarchical set of descriptors. Finally, the video representation model, supported by the genre classification algorithm, achieves excellent results in an automatic annotation system by linking the video clips with a limited lexicon of related keywords

    Towards key-frame extraction methods for 3D video: a review

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    The increasing rate of creation and use of 3D video content leads to a pressing need for methods capable of lowering the cost of 3D video searching, browsing and indexing operations, with improved content selection performance. Video summarisation methods specifically tailored for 3D video content fulfil these requirements. This paper presents a review of the state-of-the-art of a crucial component of 3D video summarisation algorithms: the key-frame extraction methods. The methods reviewed cover 3D video key-frame extraction as well as shot boundary detection methods specific for use in 3D video. The performance metrics used to evaluate the key-frame extraction methods and the summaries derived from those key-frames are presented and discussed. The applications of these methods are also presented and discussed, followed by an exposition about current research challenges on 3D video summarisation methods

    Video Analysis and Indexing

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    Video Indexing and Retrieval Techniques Using Novel Approaches to Video Segmentation, Characterization, and Similarity Matching

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    Multimedia applications are rapidly spread at an ever-increasing rate introducing a number of challenging problems at the hands of the research community, The most significant and influential problem, among them, is the effective access to stored data. In spite of the popularity of keyword-based search technique in alphanumeric databases, it is inadequate for use with multimedia data due to their unstructured nature. On the other hand, a number of content-based access techniques have been developed in the context of image indexing and retrieval; meanwhile video retrieval systems start to gain wide attention, This work proposes a number of techniques constituting a fully content-based system for retrieving video data. These techniques are primarily targeting the efficiency, reliability, scalability, extensibility, and effectiveness requirements of such applications. First, an abstract representation of the video stream, known as the DC sequence, is extracted. Second, to deal with the problem of video segmentation, an efficient neural network model is introduced. The novel use of the neural network improves the reliability while the efficiency is achieved through the instantaneous use of the recall phase to identify shot boundaries. Third, the problem of key frames extraction is addressed using two efficient algorithms that adapt their selection decisions based on the amount of activity found in each video shot enabling the selection of a near optimal expressive set of key frames. Fourth, the developed system employs an indexing scheme that supports two low-level features, color and texture, to represent video data, Finally, we propose, in the retrieval stage, a novel model for performing video data matching task that integrates a number of human-based similarity factors. All our software implementations are in Java, which enables it to be used across heterogeneous platforms. The retrieval system performance has been evaluated yielding a very good retrieval rate and accuracy, which demonstrate the effectiveness of the developed system

    Audiovisual processing for sports-video summarisation technology

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    In this thesis a novel audiovisual feature-based scheme is proposed for the automatic summarization of sports-video content The scope of operability of the scheme is designed to encompass the wide variety o f sports genres that come under the description ‘field-sports’. Given the assumption that, in terms of conveying the narrative of a field-sports-video, score-update events constitute the most significant moments, it is proposed that their detection should thus yield a favourable summarisation solution. To this end, a generic methodology is proposed for the automatic identification of score-update events in field-sports-video content. The scheme is based on the development of robust extractors for a set of critical features, which are shown to reliably indicate their locations. The evidence gathered by the feature extractors is combined and analysed using a Support Vector Machine (SVM), which performs the event detection process. An SVM is chosen on the basis that its underlying technology represents an implementation of the latest generation of machine learning algorithms, based on the recent advances in statistical learning. Effectively, an SVM offers a solution to optimising the classification performance of a decision hypothesis, inferred from a given set of training data. Via a learning phase that utilizes a 90-hour field-sports-video trainmg-corpus, the SVM infers a score-update event model by observing patterns in the extracted feature evidence. Using a similar but distinct 90-hour evaluation corpus, the effectiveness of this model is then tested genencally across multiple genres of fieldsports- video including soccer, rugby, field hockey, hurling, and Gaelic football. The results suggest that in terms o f the summarization task, both high event retrieval and content rejection statistics are achievable

    MASCOT : metadata for advanced scalable video coding tools : final report

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    The goal of the MASCOT project was to develop new video coding schemes and tools that provide both an increased coding efficiency as well as extended scalability features compared to technology that was available at the beginning of the project. Towards that goal the following tools would be used: - metadata-based coding tools; - new spatiotemporal decompositions; - new prediction schemes. Although the initial goal was to develop one single codec architecture that was able to combine all new coding tools that were foreseen when the project was formulated, it became clear that this would limit the selection of the new tools. Therefore the consortium decided to develop two codec frameworks within the project, a standard hybrid DCT-based codec and a 3D wavelet-based codec, which together are able to accommodate all tools developed during the course of the project
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