Sunlight, Veiled is a narrative short film exploring themes of displacement, class, and identity through the lens of an Iranian intern navigating a morally ambiguous company party in the United States. This written component traces the evolution of the project from development through post-production, while reflecting on the personal and political frameworks that shaped the creative process. Through cinematic references, cultural analysis, and production insight, the paper aims to contextualize the film within a diasporic experience and a growing awareness of social power dynamics. It also reflects on the challenges of filmmaking as an outsider, where self-doubt, cultural translation, and shifting expectations constantly redefine what it means to tell a relatable story
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