Beyond Borders: Navigating Cultural Sensitivities In Presenting Tulu Ritual Objects In Western Museums

Abstract

The Tulu region of Karnataka has evolved various forms of performance-based rituals invoking the native guardian spirits, heroes, animals, etc. One such major seasonal festival of this region, Bhutakola, celebrates the several guardian spirits and tutelary deities (calleddaivas and bhutas) who protect the villages of Tulunadu. These deities are manifest during the festivals through ritual objects–in particular, masks, breastplates, and anklets–that are worn by a human performers. However, these objects have been displaced and displayed at American Art Museums through art collectors, enthusiasts, and the art market. I study the material dimensions of the Bhutakola ritual and its ritual efficacy, and its subsequent of these objects and their subsequent display in museums. I then ask: how might the identities of these objects change once they are displaced and displayed? To borrow from Richard Davis, what are the “disruptions and transformations” of these objects from their previous lives? Keywords: Bhutakola, Tulunadu, Museum Objects, Masks, South Asi