Digital practitioners from Black Twitter are trying new social media platforms in the wake of
Twitter’s platform collapse. In this thesis, I examine one of those platforms, SPILL, to
understand the interface, practices, and beliefs and perceptions of the app as it functions in its
introductory period. Toward that end, I utilize critical technocultural discourse analysis in this
thesis. I argue that SPILL has inconsistent messaging and non-user perceptions that mark it as
undesirable, which could spell its future demise. On the other hand, I argue SPILL is redeemable
in its aims for a cultivated, safe experience and a popular live audio-visual option. However, I
argue it is inconclusive whether SPILL can supplant the vital discursive publics of Black Twitter
and the SPILL team should be careful of its many pitfalls
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