Arab Art Audiences – Case Study at Mathaf: Arab Museum of Modern Art

Abstract

This thesis explores the dynamics between Arab art and audiences, focusing on Mathaf: Arab Museum of Modern Art in Qatar and its temporary exhibitions. Beginning with a personal narrative that encapsulates my deep-rooted passion for Arab art, the work reflects on the intersection of identity and culture in the context of Arab artistic expressions within Arab art institutions. My initial outreach to acquaintances in Qatar revealed a surprising disconnect between the local Arab community and their awareness of Arab art history, a phenomenon I attribute to broader educational and cultural gaps. Through a phenomenological lens, the research investigates how personal, cultural, and institutional factors contribute to the perceived disinterest in local art. Despite the rich tapestry of Arab art as validated by scholars, many in the community remain largely unaware of significant artists and movements, often favoring familiar Western counterparts. Through repeated visits to Mathaf, I document my evolving understanding and appreciation of the relationship between visitors and the museum’s exhibition processes, culminating in a critical reflection on the role of museums as cultural intermediaries. The thesis posits that the process of engaging with Arab art is not simply about fostering a sense of Arab identity but involves navigating complex layers of history, locality, and personal experience. Ultimately, this project serves as both an inquiry into audience engagement and a call to action for deeper cultural recognition of audiences in Arab art institutions