Commentary on De Souza, Dvorsky, and Oyon (2024): Texture and Sonata Form in Classical String Quartets

Abstract

The corpus study reported by De Souza, Dvorsky, and Oyon (2024) investigates texture in sonata form movements of classical string quartets (by Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven) using onset synchrony. The following commentary provides some additional discussion on the behavior of various measures of onset synchrony when applied to this genre, and the potential of this research to be more widely generalizable