Sid Chaplin: A Writer with a Cause

Abstract

The aim of this article is to recover the radical subtext of both the life and work of Sid Chaplin by reasserting the essentially political dimensions of his writing. Chaplin devoted the whole of his career as a writer to documenting not only the decline of the coal mining industry in the north-east of Britain where he lived, but he also traced the impact this process had on the working-class communities that were dependent on the pits. In his two later novels set in the city of Newcastle, The Day of the Sardine (1961) and The Watchers and the Watched (1962), Chaplin went on to dramatize similarly troubled changes in urban working-class life in the 1950s and 60s. The article not only argues that it is this nexus of class, politics and literature that translates so convincingly into his Newcastle novels, it also claims that it is the fundamental radicalism of his own literary project that explains the problematic neglect of his work by both critics and readers