My Ph.D. thesis comprises a series of experiments aimed at
investigating the impact of a novel ayahuasca analog, pharmahuasca
(PHA), on face perception and creative cognition. These studies were
executed with a within-subject, double-blind, placebo-controlled
design involving 30 healthy male participants. Chapter 2 centers on
the effects of psychedelics on face perception, utilizing
electroencephalography (EEG) during a visual oddball task with self,
familiar, and unknown faces as stimuli. Notable changes induced by
PHA in early visual processing, such as increased P1 and reduced
N170 across all face categories, were observed. In late visual
processing, a decrease in neural activation in response to the self-face,
as indicated by the P300 wave, highlights the significance of
psychedelics in altering self-referential information processing.
Additionally, the impact of psychedelics on face discrimination was
explored through a two-alternative forced choice (2-AFC) task, where
faces are incrementally morphed to each other, revealing a decreased
sensitivity for discrimination during psychedelic experiences across
all face categories. Chapter 3 shifts focus to understanding how
psychedelics influence creative cognition. Through task-based
methodologies, the findings unveil a reduction in convergent
thinking without affecting on divergent thinking. Next, we
investigate how utilization of different thinking modes during the
artistic creation, specifically in the domain of painting, under the
influence of psychedelics. Importantly, there was a significant
reduction in transitions between different creative thinking modes
during the psychedelic-induced creative process, particularly
affecting stages traditionally requiring convergent thinking, offered
valuable insights into the phenomenological nuances of the interplay
between psychedelics and the dynamics of creative thinking
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