PhD ThesisThis thesis explores how young working-class men living in a former shipbuilding
community – Walker in the East End of Newcastle-upon-Tyne - think about the
interlinked and overlapping eras of industrialism and deindustrialisation. This includes
the ways in which they remember industrial work and its loss, the strategies that they
use to frame and comment upon this shared past, and how they draw on and invoke
this history to help them understand the present and imagine the future. The
experiences of thirty participants are explored to understand how their engagement
with the shared past impacts upon their everyday lives and lived experiences in the
post-industrial city. I argue that the young men who I researched remain connected to
the past in multifarious ways and that they invoke and mobilise this history to help
them navigate a socio-economic landscape whose contours have been shaped by the
‘Crisis Decades’ of deindustrialisation and our present ‘Age of Austerity’.
This thesis makes three significant contributions. The first is demonstrating that the
industrial past remains an important aspect of the lives of my participants. This builds
on existing research and argues that although some of the young men with whom I
worked tended towards thinking about the past in atavistic and reactionary ways, they
were just as capable of engaging with it in a critical and nuanced manner. The second
contribution explores the myriad of ways in which the participants remain connected
with their shared past. These links to the past include familial connections, sensory
recollections that are part of their personal biographies and engagements with material
cultures of the home. Together this has established ongoing connections with
industrial work in a community in which it is difficult to draw a clear division between
an industrial past and a post-industrial present. The third contribution reveals how
deindustrialisation represents an equally important part of the lived experiences of
participants. Of particular interest is that although the closures and redundancies of
industrial decline continue to cast a long shadow in Walker, the young men with whom
I worked engaged with in creative ways, drawing on the past to imagine themselves
as more than passive and victimised cogs in the machinery of capital
Is data on this page outdated, violates copyrights or anything else? Report the problem now and we will take corresponding actions after reviewing your request.