This essay looks at a particular time and place of the tale-telling
tradition, namely the late eighteenth and early nineteenth centuries in
Germany, at tales recorded or written by the well-known brothers
Grimm and by two of their less famous precursors, Johann Karl
August Musäus and Benedikte Naubert, with a view to seeing how
these writers use violence in their stories. The narratives studied are
all Märchen – that is, folk or fairy tales. They do not aspire to the
cosmology of myth or saga, for example; they are meant for sheer
entertainment, whatever underlying messages or revelations about
cultural values one may find in them
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