Skip to main content
Article thumbnail
Location of Repository

MEDEA adapted: the Subaltern Barbarian speaks

By Olga Kekis

Abstract

This thesis examines three contemporary adaptations of Euripides’ Medea which reveal her as the ultimate subaltern heroine who comes face to face with imperial colonialism and through direct confrontation both regains her cultural identity and acquires a voice. In each adaptation Medea becomes Spivak’s barbarian subaltern Other and speaks. The plays examined are Heiner Müller’s Despoiled Shore Medeamaterial Landscapes with Argonauts (1983), Guy Butler’s Demea (1990) and Olga Taxidou’s Medea: A World Apart (1995). These plays were utilized as political texts in various postcolonial situations, and employed anti-imperialist discourses to adapt and appropriate the classical Medea as a postmodern, postcolonial protest narrative. A close reading demonstrates that Medea is Euripides’ quintessential tragedy of alterity and each adaptation raises issues of cultural and sexual difference, hegemony, as well as the colonial encounter within their own cultural and historical context. The key purpose of these adaptations is to shed an alternative light on Medea’s act of infanticide, and turn it into an act not against her children, or Jason as the individual who did her injustice, but against the hegemonic structure which allowed that injustice to happen and which she seeks to subvert

Topics: N Visual arts (General) For photography, see TR
Year: 2010
OAI identifier: oai:etheses.bham.ac.uk:498

Suggested articles

Citations

  1. (1977). From Work to Text', in I mage,
  2. (1998). L iterature Versus Theatre: Textual Problems and Theatrical Realization in the Later Plays of Heiner Müller Bern;
  3. (1970). Poetics . trans. Gerald Frank Else, Ann Arbor: doi
  4. (1995). Politics: Books I and Ii . trans. Trevor John Saunders Oxford:
  5. (1994). Presence and Resistance: Postmodernis m and Cultural Politics in Contemporary American Performance . Ann Arbor: doi
  6. (1989). T he Empire Writes Back: Theory and Practice doi
  7. (1993). T he Theatre and Its Double: Essays by Antonin Artaud . trans. Victor Corti,
  8. (1977). The Death of the Author,'
  9. (1991). The Persecution of Pontic Greeks in the Soviet Union'. doi
  10. (1981). Theory of the Text,'

To submit an update or takedown request for this paper, please submit an Update/Correction/Removal Request.