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Ford Madox Brown: works on paper and archive material at Birmingham Museums and Art Gallery

By Laura MacCulloch

Abstract

This collaborative thesis focuses on the extensive collection of works on paper and related objects by Ford Madox Brown (1821-1893) held at Birmingham Museums and Art Gallery (BMAG). It is the first academic study to use Brown's works on paper as the basis for discussion. In doing so it seeks to throw light on neglected areas of his work and to highlight the potential of prints and drawings as subjects for scholarly research. The thesis comprises a complete catalogue of the works on paper by Brown held at BMAG and three discursive chapters exploring the strengths of the collection. Chapter one focuses on the significant number of literary and religious works Brown made in Paris between 1841 and 1844 and examines his position in the cross-cultural dialogues taking place in Europe in the mid-nineteenth century. Chapter two uses the dual definition of the word 'construction' to examine how his interpretation of history was affected by contemporary changes in historiography, and to discuss his practical approach to composing a history painting. Chapter 3 studies illustrations he made for publication. Progressing chronologically, it explores his changing attitude towards illustration as a medium and argues that these works had increasing importance for his artistic career. The catalogue is the most up-to-date and informative inventory of the collection and includes new identifications, titles and dates and exegeses

Topics: ND Painting, N Visual arts (General) For photography, see TR
Year: 2010
OAI identifier: oai:etheses.bham.ac.uk:611

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Citations

  1. London Minutes of the Committee meetings of The Art Union of London, 6 vols., 1842-1846 (Add. 38866 - 38870) Illuminated manuscript by Aldobrandino of Siena entitled Le RĂ©gime du Corps (ff. 1-75v);
  2. (1906). of New South Wales, Sydney Sixth Annual Report of the New South Wales Academy of Art, doi

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