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Making Nothing Out of Something: Concepts of Nothingness, Sartre and the Theatre of Peter Brook

By Cormac Power
Topics: W400
Publisher: University of Lincoln
Year: 2010
OAI identifier: oai:nrl.northumbria.ac.uk:6931

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Citations

  1. (2001). and Northern Gallery for Contemporary Art.
  2. (1999). Between Two Silences, Edited by Dale Moffit,
  3. (1984). Distance in the Theatre: The Aesthetics of Audience Response. doi
  4. (1991). How to Do Things Onstage”,
  5. (1994). Molloy, Malone Dies, The Unnamable London: doi
  6. (1971). Offending the Audience and Self Accusation, Traslated by Michael Roloff,
  7. (2006). Sartre, the Philosophy of Nothingness, and the Modern Melodrama” in doi
  8. (1996). Signs of Performance: An Introduction to Twentieth Century Theatre, doi
  9. (1990). The Empty Space, Reprinted Edition,
  10. (1984). The Search for New Endings: The Theatre in Search of a Fix, doi
  11. (2007). The Theatricality of Robert Lepage, doi
  12. (1993). There Are No Secrets, doi
  13. (1991). Towards a Poor Theatre, Edited by Eugenio Barba with a Preface by Peter Brook,
  14. (1981). What do Brook’s Bricks Mean?: Toward a Theory of the Mobility of Objects doi

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