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Strategies of postminimalism in my recent music

By Nicholas Allan Williams

Abstract

This commentary will consider how I have developed and applied a number of compositional techniques, particularly in the area of rhythm and pulse, which I situate in relationship to postminimalism. In chapter 1 I contextualise my\ud music by considering some manifestations of postminimalism, give the background to the development of my present aesthetic approach, and look at some definitions of postminimalism in order to clarify my own position in relation to both American and European (primarily Dutch) postminimal composition. In chapter 2 I examine the main aspects of my musical language, focussing on technical considerations in relation to the wider aesthetic context. In chapter 3, I will demonstrate how specific techniques, particularly rhythmic and permutational techniques, are applied in particular compositions, and how these techniques have developed over the last four years. Additionally, I consider how my work is informed by a social/political awareness, and how this has informed my choice of particular compositional\ud strategies

Topics: M1
OAI identifier: oai:eprints.hud.ac.uk:7515

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Citations

  1. (1993). De Haagse Hik’,
  2. (1992). Demanding the Impossible: A History of Anarchism (London doi
  3. (2004). Louis Andriessen: De Staat (Aldershot, doi
  4. (2003). Minimalism, Postminimalism, and the Resurgence of Tonality in doi
  5. (1999). The Muse That Sings

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