This paper offers a strict analysis of Enea Silvio Piccolomini’s epigram 24 Van Heck (Ad Carolum regem Francorum), composed by the young humanist in praise of Charles VII of Valois, king of France, in july 1429 – and then soon after his coronation, which had place at Reims the 17th of July 1429: an "epigramma longum" (46 hexameters), in which we can find the admiration and the courtly exaltation of the new king of France, and the conception (classic and, particularly, Horatian) of the poetry who can make eternal the glory of the famous men
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