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Playing with/in boundaries

By Hilary Elliott

Abstract

This is an article about openness, corporeal situatedness and looking within solo open form improvisation. The significance of precise corporeal positioning within particular, delineated surroundings is explored and the improvisational impetus towards disclosure and revelation is posited as a form of interrogative exploration

Topics: NX, PN2000
Publisher: Proximity Magazine
Year: 2010
OAI identifier: oai:eprints.hud.ac.uk:9294

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Citations

  1. (1991). A Vulnerable Glance: Seeing Dance Through Phenomenologyā€¯ doi
  2. (1979). Impro Improvisation and the Theatre. London: Eyre Methuen Merleau-Ponty, Maurice
  3. (2005). The Interpreted World, an introduction to phenomenological psychology. 2 nd ed. London: Thousand Oaks,
  4. (2005). The Interpreted World, an introduction to phenomenological psychology. 2nd ed. London: Thousand Oaks,
  5. (2009). The Philosophy of Improvisation Chicago and London: The University of Chicago Press Zaporah, doi

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