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Performing archival remix in Outback and Beyond

By Grayson Cooke

Abstract

Outback and Beyond is a live audio-visual performance and collaboration between myself and Rome-based sound-artist Mike Cooper. It is a live remix of films and images from the National Film and Sound Archive and the State Library of South Australia, accompanied by Mike Cooper\u27s live soundtrack of lap-steel guitar and deconstructed Blues, and a libretto recounting the adventures and misadventures of Charles Todd, the engineer who built the Overland Telegraph from Darwin to Adelaide in the 1870s. It is a meditation on the images and myths that form Australia\u27s national identity, and on methods of contesting the formation of that identity. In this paper, I explore the implications of the live archival remix that underpins the project; implications in terms of how the project works with archival materials in a performance context, but also in terms of the enquiry the project conducts into archival practice itself

Topics: Archive, live audio-visual performance, VJ, live cinema, Australia, remix, Arts and Humanities, Social and Behavioral Sciences
Publisher: ePublications@SCU
Year: 2015
DOI identifier: 10.1080/14794713.2014.960673
OAI identifier: oai:epubs.scu.edu.au:sass_pubs-2544
Provided by: ePublications@SCU
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