This article situates the artistic development of the Greek-Cypriot artist Criton Tomazos (b.1940) as a part of a circle of artists in the 1960s loosely associated around a number of informal groupings, including Arts Together, Writers Forum, Sigma, Group H and Environmental Forum.It examines the context for a number of his key works including The Cage on the basis of a literature review and interviews conducted with Criton Tomazos. The article concludes that Criton Tomazos made a significant contribution to the Undergound art movement in London in the 1960s
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