Cinematograpy and visual style of the short film "No Wolf Has a House"
Abstract
Rad Snimateljski pristup diplomskom filmu Da je kuća dobra i vuk bi je imao bavi se genezom snimateljskog, ali i općeg vizualnog stila tog kratkog igranog filma. U radu sam ocrtala osnovne likovne i tehničke odlike snimateljskog pristupa. Snimanje na Super 16mm film ekipi je pružilo možda posljednje takvo iskustvo u vremenima digitalne kinematografijeTheme of this thesis is genesis of both cinemathograpy and visual style of the short film No Wolf Has a House. I have described fine art and tehchical characteristics of my aproach as a cynomatografer of this film. Filming on Super 16 stock was unige and maybe one of a kind experience for the whole crew in nowdays time of digital film- info:eu-repo/semantics/masterThesis
- text
- UMJETNIČKO PODRUČJE. Filmska umjetnost (filmske, elektroničke i medijske umjetnosti pokretnih slika). Snimanje (filmsko i elektroničko).
- FIELD OF ART. Film Art (Film, Electronic and Media Art of Moving Pictures). Recording (Film and Electronic).
- snimanje
- Chinematography
Similar works
Full text
Last time updated on 07/05/2019
This paper was published in Repository of Academy of Dramatic Art.
Having an issue?
Is data on this page outdated, violates copyrights or anything else? Report the problem now and we will take corresponding actions after reviewing your request.