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The politics of regional audio-visual policy in England: or, how we learnt to stop worrying and get 'creative'

By Jack Newsinger


Full text of this item is not currently available on the LRA. The final published version may be available through the links above.This article examines the transition from cultural industries to creative industries policies in the English regions between 1980 and 2010. It argues that audio-visual policy in this period is best understood as a trajectory: the gradual, differentiated, contested, but overall coherent development of a policy discourse and corresponding institutional structure. This trajectory can be mapped onto the wider political economy of the period: the transition from social-democratic reformism to neo-liberalism at the end of the 1970s and up to the present. This process has resulted in audio-visual policy being determined to a large degree by the perceived needs of commercial interests, up to the point where regional cultural policy is virtually indistinguishable from economic policy. The transition from cultural to creative industries reflects the development of the neo-liberal state in which cultural policy has been instrumentalised within the larger project of the privatisation of public assets and the shift of relative power from labour to capital

Publisher: Routledge (Taylor & Francis)
Year: 2011
DOI identifier: 10.1080/10286632.2011.561334
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