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A critical review of: Paul Farley’s Distant Voices, Still Lives

By E. Anna Claydon

Abstract

This is the final publisher edited version of the paper published as Journal of British Cinema and Television, 2008, 5 (1), pp. 195-196. This version was first published at http://www.euppublishing.com/doi/abs/10.3366/E1743452108000253, Doi: 10.3366/E1743452108000253

Publisher: Edinburgh University Press
Year: 2008
DOI identifier: 10.3366/E1743452108000253
OAI identifier: oai:lra.le.ac.uk:2381/8095
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