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THE WALL-PAINTINGS OF THE THREE HIERARCHS CHAPEL, BARLAAM MONASTERY, METEORA, 1637, IOANNINA 1996

By ΕΥΑΓΓΕΛΙΑ-ΕΥΗ ΣΑΜΠΑΝΙΚΟΥ

Abstract

THE ICONOGRAPHY AND THE STYLE OF THE WALL-PAINTINGS OF THE THREE HIERARCHS CHAPEL IN BARLAAM MONASTERY, METEORA 1637, ARE SYSTEMATICALLY ANALYZED IN THIS PH.D DISSERTATION. THERE IS AN ATTEMPT FOR THE FORMATION OF AN OUTLINE OF THE HISTORICAL CONTEXT OF THE ARTISTIC PRODUCTION IN THE AREA OF CENTRAL GREECE AND THE PLACEMENT OF THE MONUMENT IN BALKAN PAINTING IN GENERAL. THIS IS SUCCEEDEDBY SEARCHING FOR THE ORIGINS OF THE DECORATION IN THE PREVIOUS CENTURIES, ESPECIALLY IN THE 16TH CENTURY AND THE CRETAN SCHOOL IN ATHOS AND METEORA. A SERIES OF 17TH CENTURY MONUMENTS IN THE AREA OF CENTRAL GREECE IS ALSO EXAMINED FOR THE PLACEMENT OF THE CHAPEL'S PAINTING IN THE SPECIFIC AREA AND ERA. THE WESTERN INFLUENCES ON THE PAINTERS' WORKSHOP ARE ALSO SET. MOREOVER, A GENERAL SEARCH FOR OTHER WORKS OF THE PAINTERS' GROUP TAKES PLACE. FINALLY, A CATALOGUE OF LATER 17TH CENTURY MONUMENTS IN CENTRAL THESSALY IS GIVEN, AS AN INITIATIVE FOR FUTURE RESEARCH.

Topics: 17th century, 17ος αιώνας, Central Greece, CRETAN SCHOOL, PAINTERS, FAMILY WORKSHOP, School of northwest Greece, Wall paintings, Ζωγράφοι, Κεντρική Ελλάδα, ΚΡΗΤΙΚΗ ΣΧΟΛΗ, ΟΙΚΟΓΕΝΕΙΑΚΟ ΣΥΝΕΡΓΕΙΟ, ΣΧΟΛΗ ΒΟΡΕΙΟΔΥΤΙΚΗΣ ΕΛΛΑΔΑΣ, Τοιχογραφίες
Publisher: University of Ioannina
Year: 1996
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