Rizoma versus micelio: Il reticolo postmoderno nel Nome della rosa e nel Pendolo di Foucault di Umberto Eco

Nel 1983 Umberto Eco pubblica il saggio “L’antiporfirio”, all’interno del volume curato da Gianni Vattimo e Pier Aldo Rovatti intitolato Il pensiero debole. Il testo echiano segna uno spartiacque teorico tra i primi due romanzi dell’autore, Il nome della rosa (1980) e Il pendolo di Foucault (1988), permettendo di capire come la narrazione enciclopedica che caratterizza entrambe le opere costituisca una strategia interpretativa della realtà. Non solo: quello che qui preme mettere in evidenza è la modalità differente con cui Eco si accosta alla complessità del mondo attraverso l’impianto tematico e strutturale del racconto. Se le avventure parigine del Pendolo risultano un’applicazione dell’idea diffusiva del rizoma, la matrice del Nome della rosa corrisponde piuttosto all’organizzazione del micelio, la filigrana sotterranea dei funghi che si arresta là dove l’organismo ha sufficienti sostanze nutritive e possibilità di farsi coltivare dalle altre specie viventi, mettendo un argine al disordine dei fenomeniIn 1983, Umberto Eco published the essay “L’antiporfirio”, in the volume edited by Gianni Vattimo and Pier Aldo Rovatti entitled Il pensiero debole. This text marks a theoretical watershed between the author’s first two novels, Il nome della rosa (1980) and Il pendolo di Foucault (1988), allowing us to understand how the encyclopedic narrative that characterizes both works constitutes an interpretative strategy of reality. Not only that: what we want to highlight here is the different way in which Eco approaches the complexity of the world through the themes and the structure of the story. In Il pendolo di Foucault the Parisian adventures are an application of the diffusive idea of the rhizome, the matrix of Il nome della rosa corresponds rather to the organization of the mycelium, the underground filigree of fungi that stops where the organism has sufficient nutrients and the possibility of being cultivated by other living species, putting a barrier to the disorder of reality

Article 9 of the E.C.H.R. in light of newer findings of the case law of the E.C.H.R. during the years 2018-2023

L’art. 9 della Convenzione E.D.U. secondo la giurisprudenza recente della Corte E.D.U. (2018-2023) ABSTRACT: The right to religious freedom is constantly changing, following the contemporary treatment of the religious phenomenon within the public sphere of the states. This finding is also evident in the ECHR's jurisprudence, which since the Kokkinakis case seems to have made great progress in the development of the more specific manifestations of religious freedom, such as religious autonomy. In this context, an attempt is made to draw conclusions regarding the right of religious freedom under the related ECHR’s case law. SOMMARIO: 1. Introduction - 2. Freedom of Assembly and Association - 3. Respect for family and private life - 4. Religious freedom in prison - 5. Religious Minorities: the example of Jehovah's Witnesses - 6. The example of Greece - 7. Conclusion

Il ruolo dell’abitudine nella costruzione dell’identità morale in The Mill on the Floss e Middlemarch di George Eliot

What is the boundary between unconscious habits and conscious actions? This is the question that drives all of George Eliot’s poetics centered on the importance of habit in the construction of her characters’ moral identity. The aim of this article is to analyze the author’s answers in this regard through two of her formidable novels: The Mill on the Floss and Middlemarch. In the first work, recovering the image, of philosophical- psychological origin, of the mind as a channel and making use of the analogies between animal and human behavior, Eliot proposes imaginative experience as a means of developing new cognitive capacities. But it is in Middlemarch that Eliot adds a further piece: unhinging the misogynistic prejudices attached to the concept of habit typical of the strongly patriarchal culture of the Victorian age. Pointing her satirical pen at the habits of her characters, Eliot invites readers to a critical attitude toward their own habits. Reading thus becomes an opportunity to reflect on our pervasive habits and achieve that gradual change towards the construction of a more mature and conscious moral identity.What is the boundary between unconscious habits and conscious actions? This is the question that drives all of George Eliot’s poetics centered on the importance of habit in the construction of her characters’ moral identity. The aim of this article is to analyze the author’s answers in this regard through two of her formidable novels: The Mill on the Floss and Middlemarch. In the first work, recovering the image, of philosophical- psychological origin, of the mind as a channel and making use of the analogies between animal and human behavior, Eliot proposes imaginative experience as a means of developing new cognitive capacities. But it is in Middlemarch that Eliot adds a further piece: unhinging the misogynistic prejudices attached to the concept of habit typical of the strongly patriarchal culture of the Victorian age. Pointing her satirical pen at the habits of her characters, Eliot invites readers to a critical attitude toward their own habits. Reading thus becomes an opportunity to reflect on our pervasive habits and achieve that gradual change towards the construction of a more mature and conscious moral identity

Neapolitan discourse in the narrative diary Mistero Napoletano

Referring to ‘Discourse on the Cape of Good Hope’ by John Maxwell Coetzee, the definition ‘Neapolitan Discourse’ refers to the city of Naples and its socio-cultural environment, on one hand, and to certain themes and authors of Neapolitan Literature, on the other. Towards this Literature the position taken by the author is as much one of comparison as of confrontation. Firstly, I analyse the question about the existence of a proper Neapolitan Literature and its circumscription on the criterion of Neapolitanness. I define Neapolitan Literature as a literary production in which the author’s response to Neapolitanness as a whole becomes relevant (‘Neapolitan Discourse’). Secondly, the themes and authors addressed in Mistero napoletano will be circumscribed for the definiton of its ‘Neapolitan Discourse’. Specifically, the absence of dialect and linguistic mix between Italian and Neapolitan will be discussed, while Anna Maria Ortese and Raffaele La Capria will be identified as writers considered by Rea for his ‘Neapolitan Discourse’. Finally, I will discuss how Rea’s ‘Neapolitan Discourse’ can be seen as of interest to both a local and a national reader of Italian.Usando come modello il ‘discorso sul Capo di Buona Speranza’ di John Maxwell Coetzee, con la definizione di ‘discorso napoletano’ si intendono i riferimenti dell’autore alla città di Napoli e al suo ambiente socioculturale e il richiamo a temi e autori della letteratura napoletana, nei confronti dei quali la posizione assunta è di confronto/scontro. Preliminarmente verranno affrontate la questione dell’esistenza di una letteratura napoletana e la circoscrizione di quest’ultima sulla base del criterio della napoletanità e della risposta dell’autore ad essa. In secondo luogo, verranno circoscritti i temi e gli autori affrontati in Mistero napoletano per la definizione del suo ‘discorso napoletano’. Nello specifico si discuterà dell’assenza del dialetto e dell’impasto linguistico tra italiano e napoletano e verranno individuati gli autori di riferimento del suo ‘discorso napoletano’ (Anna Maria Ortese e Raffaele La Capria). Verranno discusse sia similarità e divergenze nei confronti di questi autori, dal punto di vista dell’arte scrittoria praticata e dal punto di vista delle posizioni assunte nei rispettivi discorsi napoletani (naturalistica, umanistica, materialistica). Infine, si discuterà di come il ‘discorso napoletano’ di Mistero napoletano sia ‘munizionale’, ovvero di interesse tanto per un lettore municipale quanto per un lettore nazionale

Diorama, infanzia, scrittura in Durs Grünbein

 Starting from Childhood in the diorama, this paper investigates the connection between the fascination of dioramas presenting animals in their reconstructed habitat and writing as the active pivot around which Grünbein’s poetics of childhood revolves in relation to the disenchantment of the adult world. Parallels between the disillusioned grandparents – one of whom had worked at the Dresden slaughterhouse — and their not yet literate grandson are analysed in the light of the identification with the animal. Through poetic writing the child redeems an idea of truth and reality, already expressed by Baudelaire, as a representation of the internal experiences of the subject trying to repair all the senseless pain inflicted by man on animals. The way Grünbein addresses the child in the reader, capable of compassion and identification with those creatures, which had no voice and still have no voice, captures one of the most distinctive and structuring features of Grünbein's poetics.A partire dallo scritto poetico Infanzia nel diorama, il presente lavoro indaga il nesso tra fascinazione dello spettacolo, che presenta gli animali nel loro habitat ricostruito, e scrittura quale perno attivo intorno al quale ruota la poetica dell'infanzia di Grünbein rispetto al disincanto del mondo adulto. Alla luce dell'immedesimazione con l’animale del fanciullo non ancora alfabetizzato, si evidenziano paralleli tra il bambino e l’adulto disincantato – uno dei nonni aveva lavorato per anni al mattatoio di Dresda. La scoperta della scrittura, dovuta in parte al nonno paterno, porta il bambino a riscattare una idea del vero già espressa da Baudelaire: una rappresentazione dei vissuti interni del soggetto atta a riparare tutto quel dolore animale causato dall’uomo scrivendone e rivolgendosi al bambino nel lettore capace di compassione e identificazione verso quelle creature che non hanno e non ebbero voce

Περὶ τῶν συμβολῶν. La question de l’isopoliteia chez Philippe Gauthier

Dopo alcune osservazioni preliminari sulla concezione di Philippe Gauthier del rapporto tra diritto e storia, ci rivolgiamo più specificamente al capitolo 7 dei Symbola, dedicato all’isopoliteia, per valutare l’attualità delle ipotesi dell’autore su questa concessione e talvolta scambio di cittadinanza tra città e/o koina. Poiché l’obiettivo del libro è quello di studiare tutte le forme di tutela giudiziaria degli stranieri di passaggio, ci si chiede se l’isopoliteia sia una di queste. L’autore procede, come anche altrove, all’analisi di casi, in particolare dell’accordo tra Olbia pontica e Mileto (Milet I.3, 136) e dell’intero dossier che lega il cretese Epicle diWaxos agli Etoli (Syll.3, 622A e B). Tre sono le linee guida seguite, che permettono di collocare il lavoro in una prospettiva storiografica con riferimento ai successivi libri di W. Gawantka (1975) e S. Saba (2020): l’uso del termine isopoliteia in greco e i contorni dell’isopolitia così come sono stati costruiti dagli storici moderni; la definizione del termine e il contenuto che deve essere ad esso attribuito; infine, la questione della portata giuridica e giudiziaria dell’isopoliteia. Su quest’ultimo punto, la conclusione di Gauthier appare ancora convincente, poiché i decreti e gli accordi di isopoliteia forniscono ai loro beneficiari una protezione reale. D’altra parte, in linea con i lavori più recenti, l’articolo è più critico sulla questione della doppia cittadinanza: questa è stata ampiamente respinta da Gauthier sulla base del fatto che una cittadinanza ne escluderebbe un’altra, cosa che non è dimostrata néper il periodo classico né per quello ellenistico. Infine, in relazione alla doppia o multipla cittadinanza, viene messa in dubbio la pertinenza della nozione di “cittadinanza potenziale” utilizzata da Gauthier nella tradizione di Szánto, in relazione alla politeia concessa su base individuale o collettiva: questa, infatti, rende poco conto dell’uso effettivo dei privilegi che conteneva.After a few preliminary remarks on Philippe Gauthier’s conception of the relationship between law and history, we turn more specifically to chapter 7 of the Symbola, devoted to isopoliteia, to assess the current relevance of the author’s hypotheses on this granting and sometimes exchange of citizenship between cities and/or koina. Since the aim of the book is to study all forms of judicial protection for passing foreigners, the question is whether isopoliteia is one of them. The author proceeds, as he does elsewhere, by analysing cases, in particular the agreement between Pontic Olbia and Miletus (Miletus I.3, 136) as well as the whole dossier linking the Cretan Epikles of Waxos with the Aetolians (Syll3, 622A and B). Three guidelines are followed here, allowing the work to be placed in a historiographical perspective with reference to the later books by W. Gawantka (1975) and S. Saba (2020): the use of the term isopoliteia in Greek and the contours of isopolity as constructed by modern historians; the definition of the term and the content to be given to it; finally, the question of the legal and judicial scope of isopoliteia. On this last point, Gauthier’s conclusion still seems convincing, since the decrees and agreements of isopoliteia provide their beneficiaries with real protection. On the other hand, in line with recent work, the present article is more critical on the question of dual citizenship: this was largely rejected by Gauthier on the grounds that one citizenship would exclude another, which is not proven for either the Classical or Hellenistic periods. Finally, in relation to dual or multiple citizenship, I question the relevance of the notion of “potential citizenship” used by Gauthier who follows the tradition of Szánto, in relation to the politeia granted on an individual or collective basis: this, in fact, poorly accounts for the actual use of the privileges it contained.After a few preliminary remarks on Philippe Gauthier’s conception of the relationship between law and history, we turn more specifically to chapter 7 of the Symbola, devoted to isopoliteia, to assess the current relevance of the author’s hypotheses on this granting and sometimes exchange of citizenship between cities and/or koina. Since the aim of the book is to study all forms of judicial protection for passing foreigners, the question is whether isopoliteia is one of them. The author proceeds, as he does elsewhere, by analysing cases, in particular the agreement between Pontic Olbia and Miletus (Miletus I.3, 136) as well as the whole dossier linking the Cretan Epikles of Waxos with the Aetolians (Syll3, 622A and B). Three guidelines are followed here, allowing the work to be placed in a historiographical perspective with reference to the later books by W. Gawantka (1975) and S. Saba (2020): the use of the term isopoliteia in Greek and the contours of isopolity as constructed by modern historians; the definition of the term and the content to be given to it; finally, the question of the legal and judicial scope of isopoliteia. On this last point, Gauthier’s conclusion still seems convincing, since the decrees and agreements of isopoliteia provide their beneficiaries with real protection. On the other hand, in line with recent work, the present article is more critical on the question of dual citizenship: this was largely rejected by Gauthier on the grounds that one citizenship would exclude another, which is not proven for either the Classical or Hellenistic periods. Finally, in relation to dual or multiple citizenship, I question the relevance of the notion of “potential citizenship” used by Gauthier who follows the tradition of Szánto, in relation to the politeia granted on an individual or collective basis: this, in fact, poorly accounts for the actual use of the privileges it contained

Rosa Calzecchi Onesti studiosa di varianti d’autore

In Italy, Rosa Calzecchi Onesti (1916-2011) is known and appreciated for her translations, still considered reference points, of Iliad (1950), Odyssey (1963) and Aeneid (1967); very little attention, on the other hand, has been dedicated to her philological research on the text of the Virgilian poem. Calzecchi composed her dissertation, discussed in Bologna in 1940 under the guidance of Gino Funaioli, around the thorny question of the possible presence of residual authorial variants in the text of the Aeneid. Part of the results flowed into her critical edition of the Latin text for the Istituto Editoriale Italiano in 1962, a few years before she authored the much better-known Italian translation for Einaudi. Admittedly, the hypothesis of surviving authorial variants in Virgil’s text has long been discarded by critics. Nevertheless, a closer look does provide some new insight in the history of classical studies: the question of authorial variants – in Vergil’s Aeneid as in that of other classical authors – was in fact, at the time Calzecchi worked, a hotly debated issue. In addition to that, despite her overall outdated theory, there is at least one of the criteria that she identified which can be recovered and profitably applied to those traditions in which – contrary to the case of Vergil – the presence of authorial variants is plausible or established.Di Rosa Calzecchi Onesti (1916-2011) si conoscono e si apprezzano le traduzioni, tutt’ora considerate punti di riferimento, di Iliade (1950), Odissea (1963) ed Eneide (1967); assai poco note sono, per contro, le sue ricerche di carattere filologico condotte sul testo del poema virgiliano. In particolare, a Calzecchi si deve una tesi di laurea, discussa a Bologna nel 1940 sotto la guida di Gino Funaioli e dedicata alla spinosa questione della possibile presenza di residue varianti d’autore nel testo dell’Eneide. Parte dei risultati confluì nell’edizione critica curata per l’Istituto Editoriale Italiano nel 1962, una manciata di anni prima della ben più nota traduzione per Einaudi. Nonostante la questione della variantistica d’autore nel testo di Virgilio sia stata da tempo superata dalla critica, un approfondimento può fornire, da un lato, un utile documento di storia degli studi: la questione della variantistica d’autore, nella tradizione dell’Eneide come in quella di altri autori classici, era, all’epoca in cui Calzecchi lavorò, tema assai dibattuto. Inoltre, almeno uno dei criteri individuati dalla giovane studiosa nella sua analisi può essere applicato con profitto anche a tradizioni in cui la presenza di varianti d’autore è verosimile o accertata

Sociologia della radicalizzazione

Sociology of radicalization ABSTRACT: The new century has seen the expansion of the concept of radicalization, with this term being adopted in various contexts with heterogeneous functions. This paper aims to investigate this phenomenon from a sociological perspective. The first focus is on examining the definition of the term “radicalization” in sociology. Acknowledging that radicalization is not exclusively an Islamic phenomenon, it will be seen that it is considered both a political and a religious matter. In attempting to define this concept, it will be observed how it encompasses various elements that may or may not involve the presence of violent action. Having delved into this initial aspect, the article then explores the reasons that can lead to radicalization and thus the path followed by individuals undergoing 'radicalization.' It will therefore examine the categories of individuals who are more likely to adhere to extremist ideologies, considering both French and Italian contexts. Finally, it will consider how these collected data can enable the construction of a strategy for preventing radicalization. SOMMARIO: 1. Introduzione - 2. Definizioni e ambito di indagine - 3. Traiettorie e intersezioni - 4. Ricerca e prevenzione

Reflection of Political and Social Influences on the Ghazal Genre in Azerbaijani Literature in the 20th Century: Aliagha Vahid's Literary Works

The essay focuses on the problems that hindered the ghazal genre from developing and how the poet kept the tradition alive in Azerbaijani literature at the start of the 20th century. We used Aliagha Vahid’s literary creativity for our project since he lived through this period in Azerbaijan, experienced all of its hardships, and demonstrated the genre’s potential by creating poetic imagery of the time in his ghazals. He is an Azerbaijani poet who is revered in the Turkic community as Fuzuli’s successor and is credited with saving the ghazal genre in Azerbaijani literature. Analyzing his lyrics provided excellent possibilities to examine the influential factors on all of the Azerbaijani literature at the time. In the study, his creation of new kinds of ghazals with social and political issues while retaining the characteristics of the traditional ghazal genre was investigated. With him, the genre in Azerbaijani literature underwent a new phase. The attempt to eradicate the ghazal from the Azerbaijani literature which has a history of centuries –long history did not succeed as a result of mostly Aliagha Vahid’s serious efforts. For this purpose, the poet’s historical milieu, the challenges of the repression, his satirical ghazals with a sociopolitical theme, the thematic details of his lyrics, and other issues have been involved in the investigation