By Earl G. Ingersoll, College at Brockport faculty emeritus.
Filming Forster focuses upon the challenges of producing film adaptations of five of E. M. Forster\u27s novels. Rather than follow the older comparative approach, which typically damned the film for not being faithful to the novel, this project explores the interactive relationship between film and novel. That relationship is implicit in the title Filming Forster, rather than Forster Filmed, which would suggest a completed process. A film adaptation forever changes the novel from which it was adapted, just as a return to the novel changes the viewer\u27s perceptions of the film. Adapting Forster\u27s novels for the screen was postponed until well after the author\u27s death in 1970 because the trustees of the author\u27s estate fulfilled his wish that his work not be filmed. Following the appearance of David Lean\u27s film A Passage to India in 1984, four other film adaptations were released within seven years. Perhaps the most important was the Merchant Ivory production of Maurice, based upon Forster\u27s gay novel, published a year after his death. That film was among the first to approach same-sex relationships between men in a serious, respectful, and generally optimistic manner. --Back coverhttps://digitalcommons.brockport.edu/bookshelf/1380/thumbnail.jp