There are many artistic resources offered by holography: third-dimension
registration and reconstruction, immateriality, color interpretation, holographic space, realism,
etc. But there are a few of them which are very characteristic and singular of that media such as
the inversion of parallax, and the possibility of making invisible to turn into visible. Current
paper aims to discuss key issues concerning with the aesthetic use of those special features.
It is based on theoretical as well as critical analysis of the production by some of the most
outstanding holographic artists who have made use of such interesting resources
