Charles Chesnutt began his career with an ideology that race should not be a category in which to judge others. He felt that through literature he could help influence society and help create a less racial centric civilization. His career began with positive reviews from short story publications in multiple magazines. However, most critics and readers at the time did not know of Chesnutt\u27s racial background. It was not until his second collection of short stories that Chesnutt revealed the truth about his heritage. After his success with The Conjure Woman and The Wife of His Youth (both published in 1899), Chesnutt began to assert his political agenda more aggressively into his writing. His second novel The Marrow of Tradition (1901) received very poor reviews critics were repulsed by Chesnutt\u27s revolutionary philosophies concerning the racial caste system. The poor reception of Chesnutt\u27s three novels forced him to retire from a literary career. Years later, during the Harlem Renaissance, a time of prolific African American writers, Chesnutt was disappointed in the baseness of black characters in literature. He scolded Harlem Renaissance writers for their lack of strong black characters, but Chesnutt\u27s short stories that were published in The Crisis also lacked the racial uplift that he so desperately sought. Chesnutt\u27s intensity of racial relation literature had dwindled over time and he left it to the next generation of writers to fulfill the social agenda that his literature was never able to achiev
