This article considers the Portuguese magazine Orpheu (1915) within the wider context of periodicals within modernism, drawing upon work carried out by the Modernist Magazines Project. It does this by considering such crucial features of the modernist magazine as its chronology and its geographical reach, and also points to new methods of analysing the materiality of magazines. By understanding the broader milieu of the modernist magazine we gain a clearer sense of how Orpheu can begin to be placed within the cultural field of the modernism
