The article discusses visual documentation for American artist Barnett Newman\u27s curatorial projects, 1944-1946. Topics include two exhibitions curated by Barnett Newman, Pre-Columbian Stone Sculpture and Northwest Coast Indian Painting; drawing using brush and ink on paper by Newman and double-faced wolf mask; and how Newman\u27s embodied identification with the art of pre-Hispanic and Indigenous American Indian art, as represented in his drawing and in his portrait photograph
