Исследования танцев в византийский период: антропологические перспективы

The topic of this work is to try to re-examine some of the already existing opinions about dance in Byzantium. The researching of dances in the Byzantine period is followed by many methodological difficulties. We need to draw a parallel between them and the presentations of dances created, in a wider sense, in the Byzantine style in other Orthodox peoples, for example in the Russian, Georgian, Serbian, Romanian and Bulgarian people. The work deals with the social position of dance, i.e. the attitude of the Church and the imperial power towards dance.В данной работе предпринимается попытка пересмотреть некоторые из уже существующих мнений о роли и развитии танцев в Византии. Изучение танцев в византийский период связано со многими методологическими трудностями. Для исследования нам нужно провести параллель между танцами этого периода и проанализировать танцы, созданные в византийском стиле другими православными народами, например, России, Грузии, а также танцы сербского, румынского и болгарского народов. Работа посвящена социальной роли танцев, т.е. рассматривается отношение церкви и имперской власти к народным танцам

Προγράμματα Σπουδών Αποφοίτων AEI: 1ος κύκλος εκπαιδευτικών προγραμμάτων: Δεκέμβριος 2012 - Μάρτιος 2013

Τα εκπαιδευτικά προγράμματα καλύπτουν τις θεματικές ενότητες: Φιλοσοφία, Γλώσσα, Βιομηχανική Αρχαιολογία, Θεωρία της Επιστήμης, Ιστορία των Μαθηματικών Αρχαιολογία, Ιστορία, Τέχνη, Αρχιτεκτονικ

Προγράμματα Σπουδών Αποφοίτων ΑΕΙ: 2ος κύκλος εκπαιδευτικών προγραμμάτων: Απρίλιος – Ιούλιος 2013

Τα εκπαιδευτικά προγράμματα καλύπτουν τις θεματικές ενότητες: Φιλοσοφία, Γλώσσα, Βιομηχανική Αρχαιολογία, Θεωρία της Επιστήμης, Ιστορία των Μαθηματικών Αρχαιολογία, Ιστορία, Τέχνη, Αρχιτεκτονικ

A contribution to the study of the "Athonite" church type of byzantine architecture

The recent study of the history and architecture of the Vatopedi monastery’s katholikon, initially built as a cross-insquare - composite four-column type church with lateral apses (“choroi”) and a two-storey narthex, can serve as a secure base for the study of the so-called “Athonite” church type, which in all likelihood had been already completely formed in Constantinople or in the area under its infl uence, before its architectural plan was applied on Athos

Χρήστος Τσούντας. Ο Καθηγητής Αρχαιολογίας στο Πανεπιστήμιο Αθηνών

This paper concerns Christos Tsountas’ years as professor of History of Ancient Art in the School of Philosophy of the University of Athens. After a productive period of almost two decades in the Archaeological Service, and his seminal work on the Neolithic, Early Cycladic and Mycenaean Culture, Tsountas was elected professor in 1904. Until his resignation in 1925 he devoted most of his time in teaching courses and writing influential handbooks on ancient Greek art. Also, he undertook significant administrative work, and served as Dean of the School of Philosophy in 1906-07. Because of his values, justice, devotion, and hard work he was highly esteemed by his colleagues, as evidenced by their reactions when he announced his wish to resign from the university

Χρήστος Τσούντας. Ο Καθηγητής Αρχαιολογίας στο Πανεπιστήμιο Αθηνών

This paper concerns Christos Tsountas’ years as professor of History of Ancient Art in the School of Philosophy of the University of Athens. After a productive period of almost two decades in the Archaeological Service, and his seminal work on the Neolithic, Early Cycladic and Mycenaean Culture, Tsountas was elected professor in 1904. Until his resignation in 1925 he devoted most of his time in teaching courses and writing influential handbooks on ancient Greek art. Also, he undertook significant administrative work, and served as Dean of the School of Philosophy in 1906-07. Because of his values, justice, devotion, and hard work he was highly esteemed by his colleagues, as evidenced by their reactions when he announced his wish to resign from the university