355,934 research outputs found
Posters-at-the-Capitol 2018 Program Booklet
Posters-at-the Capitol 2018 program booklet
Posters-at-the-Capitol 2017 Program Booklet
Posters-at-the-Capitol 2017 Program Booklet
Contents:
Welcoming Remarks
Posters-at-the-Capitol Organizing Committee
Welcome Letter from Mr. Robert King
Schedule of Activities
Mezzanine Map
Participant Listings
Eastern Kentucky University
Kentucky State University
Kentucky Community & Technical College System
Morehead State University
Murray State University
Northern Kentucky University
University of Louisville
University of Kentucky
Western Kentucky University
Programs of Distinction
Student Abstract
Posters-at-the-Capitol 2019 Program Booklet
Posters-at-the Capitol 2019 program booklet
Jefferson Digital Commons quarterly report: July-September 2017
This quarterly report includes: Assorted articles Confronting Racism, Bias, and Social Injustice in Healthcare Lecture CREATE DAY OT Capstone presentations Grand Rounds Assorted Newsletters Nexus Maximus Posters University Wide Posters House Staff Quality Improvement and Patient Safety Posters CSHLA Scholar Day posters Student publications and presentations What People are Saying about the Jefferson Digital Common
Jefferson Digital Commons quarterly report: April-June 2019
This quarterly report includes: Articles CREATE Day Presentations Dissertations From the Archives Grand Rounds and Lectures House Staff Quality Improvement and Patient Safety Posters JCIPE Student Hotspotting Posters Journals and Newsletters MPH Capstone Presentations Posters Sigma Xi Research Day What People are Saying About the Jefferson Digital Common
Learning to Generate Posters of Scientific Papers
Researchers often summarize their work in the form of posters. Posters
provide a coherent and efficient way to convey core ideas from scientific
papers. Generating a good scientific poster, however, is a complex and time
consuming cognitive task, since such posters need to be readable, informative,
and visually aesthetic. In this paper, for the first time, we study the
challenging problem of learning to generate posters from scientific papers. To
this end, a data-driven framework, that utilizes graphical models, is proposed.
Specifically, given content to display, the key elements of a good poster,
including panel layout and attributes of each panel, are learned and inferred
from data. Then, given inferred layout and attributes, composition of graphical
elements within each panel is synthesized. To learn and validate our model, we
collect and make public a Poster-Paper dataset, which consists of scientific
papers and corresponding posters with exhaustively labelled panels and
attributes. Qualitative and quantitative results indicate the effectiveness of
our approach.Comment: in Proceedings of the 30th AAAI Conference on Artificial Intelligence
(AAAI'16), Phoenix, AZ, 201
"?! Research Help" Posters
These posters were created to encourage students to ask a librarian for help and to utilize other library resources
Yeşilçam Film Posters of the 60s and 70s: Representing Romance
Cinema and movie poster have the most powerful potential of establishing the ethos and mythology of people, and both assume an audience on the premises of a cultural context within which they are produced. So a movie poster contributing to mass communication through designed visual means contains a lot of information about film industry, evolution of design, craftsmanship, and the taste of the artists and society as well as standing for a strong evidence of its time.
The decade 1965-1975 is important for Turkish cinema for being the golden years of this industry. Besides all the good memories associated with these posters, they indeed involve the history of Turkish cinema, graphic design as well as Turkish society. The great deal of labour involved, resulting from the poor resources of the period; design elements, typography, composition, the mistakes; all reflect the characteristics of then-Yeşilçam. Going over an archive of posters and with the help of interviews with designers, cinema historians and labourers, the article focuses on the relationship of design with the industry, technology and society.
The Yeşilçam movie posters are analyzed through the methods of iconography as well as reception theory. And therefore as well as exploring their graphic and visual characteristics they would be placed in the context of the social life, the conditions of the movie industry in Turkey, the character of Yeşilçam Melodrama and evolution of Turkish movie poster.
After a detailed research and observation, four categories are revealed as the most frequently seen types among the Turkish melodrama posters, according to the kind of images in relation to specific themes and concepts and the design schemas they use. These are “star posters”, “beefcake posters”, “phallic woman posters”, and “posters of movement”. The paper goes in detail how these categories are formed and their significance and their relation to the creation of the concept of romance.
Keywords:
Yeşilçam melodrama; film poster; graphic design; romance</p
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