2 research outputs found

    Production networks in the cultural and creative sector: case studies from the publishing industry (CICERONE report D2.8)

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    The CICERONE project investigates cultural and creative industries through case study research, with a focus on production networks. This report, part of WP2, examines the publishing industry within this framework. It aims to understand the industry's hidden aspects, address statistical issues in measurement, and explore the industry's transformation and integration of cultural and economic values. The report provides an overview of the production network, explores statistical challenges, and presents qualitative analyses of two case studies. It concludes by highlighting the potential of the Global Production Network (GPN) approach for analyzing, researching, policymaking, and intervening in the European publishing network. The CICERONE project's case study research delves into the publishing industry, investigating its production networks and examining key aspects often unseen by the public. The report addresses statistical challenges in measuring the industry and sheds light on its ongoing transformations and integration of cultural and economic values. It presents an overview of the production network, explores statistical issues, and provides qualitative analyses of two case studies. The report emphasizes the potential of the GPN approach for analyzing and intervening in the European publishing network, ultimately contributing to research, policymaking, and understanding within the industry

    Women to the Placards! The Socio-economic Situation of Female Choreographers in the Male World of Ballet Art

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    The ballet environment is very specific ÔÇô hermetic and small. Analysing the history and literature of ballet as well as looking at the contemporary repertoire of leading ballet companies, it is easy to notice the numerous domination of women, which does not determine their dominance in the creative (choreography) and management sphere. In Poland, in the season 2019/2020, 6 out of 9 largest, primer ballet companies are headed by men. As research has shown, it is the male gender that has been dominating in choreography for years, constituting the spectacles shown on the stages and, as a result, the ballet heritage. The article Women tothe placards! The socio-economic situation of female choreographers in the male world of ballet art shed light on the labour market of Polish choreographers working in leading ballet companies, pointing out the prevailing inequalities between men and women who are involved in ballet choreography. In this study, I apply the methods of social sciences (documentary evidence analysis ÔÇô repertoire and labour force of 9 primer Polish ballet companies in the season 2019/2020), I analyse the data collected during the study Estimation of the number of artists, creators and performers in Poland (Ilczuk et al. 2018), whilst cultural economics is the theoretical framework of my study. This theoretical-methodical base allowed me to expose the inequalities, potential causes and dependencies that exist on the labour market of artists creating ballet choreographies. An immanent feature of this market is the deficit of women.┼Ürodowisko baletowe jest bardzo specyficzn─ů spo┼éeczno┼Ťci─ů ÔÇô hermetyczn─ů i niewielk─ů. Analizuj─ůc histori─Ö i literatur─Ö baletow─ů, jak r├│wnie┼╝ przygl─ůdaj─ůc si─Ö wsp├│┼éczesnym repertuarom wiod─ůcych zespo┼é├│w, ┼éatwo mo┼╝na zauwa┼╝y─ç liczebn─ů dominacj─Ö kobiet, kt├│ra nie stanowi o ich dominacji w sferze kreacyjnej (choreografia) i zarz─ůdczej. W Polsce w sezonie 2019/2020 na czele 6 z 9 najwi─Ökszych kompanii baletowych stoj─ů m─Ö┼╝czy┼║ni. Jak pokaza┼éy badania, to p┼ée─ç m─Öska od lat dominuje w choreografii, stanowi─ůc o pokazywanych na scenach spektaklach, a w efekcie o dziedzictwie baletowym. W artykule analizuj─Ö rynek pracy polskich choreografek pracuj─ůcych w wiod─ůcych zespo┼éach baletowych, wskazuj─ůc na panuj─ůce nier├│wno┼Ťci mi─Ödzy kobietami i m─Ö┼╝czyznami, kt├│rzy trudni─ů si─Ö choreografi─ů baletow─ů. W badaniu stosuj─Ö metody nauk spo┼éecznych (analiz─Ö dokument├│w ÔÇô repertuar├│w i sk┼éad├│w osobowych 9 wiod─ůcych polskich kompanii baletowych w sezonie 2019/2020), analizuj─Ö dane zebrane podczas badania "Szacowanie liczebno┼Ťci artyst├│w, tw├│rc├│w i wykonawc├│w w Polsce" (Ilczuk i in. 2018), a ekonomika kultury stanowi o ramach teoretycznych mojego badania. Baza teoretyczno-metodyczna pozwoli┼éa mi na┼Ťwietli─ç nier├│wno┼Ťci, potencjalne przyczyny i zale┼╝no┼Ťci panuj─ůce na rynku pracy artyst├│w i artystek tworz─ůcych choreografie baletowe. Immanentn─ů cech─ů tego rynku pozostaje deficyt kobiet
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