4,098 research outputs found

    THE 1995 FARM BILL ENVIRONMENT

    Get PDF
    Environmental Economics and Policy,

    THE POLITICAL/ECONOMIC ENVIRONMENT: ARE WE AT A WATERSHED?

    Get PDF
    Political Economy,

    U.S. COMPETITIVENESS AND NEEDED ADJUSTMENTS

    Get PDF
    Agricultural and Food Policy,

    TOWARD A POSSIBLY PRACTICAL FRAMEWORK FOR RURAL DEVELOPMENT POLICIES AND PROGRAMS

    Get PDF
    Community/Rural/Urban Development,

    Understanding The Theory and Design of Organizations -10/E.

    Get PDF
    Each chapter is highly focused and is organized into a logical framework. Many organization theory textbook treat material in sequential fashion, such as here’s view A, here’s view B, here’s view C, and so on. Understanding the theory and design of organization shows how they apply in organizations. Moreover, each chapter sticks ti the essential point. Students are not introduced to extranedous material or confusing methodological squabbles that occur among organizational researchers. The body of research in most areas points to a major trend, which is reported here. Several chapter develop a framework that organizes major ideas into an overall scheme

    Organizational Structures

    Full text link

    PROSIDING SEMINAR NASIONAL SUSTAINABLE ARCHITECTURE AND URBANISM

    Get PDF

    What is the Right Organization Design?

    Full text link

    Examining the effects of experimental/academic electroacoustic and popular electronic musics on the evolution and development of human–computer interaction in music

    Get PDF
    This article focuses on how the development of human–computer interaction in music has been aided and influenced by both experimental/academic electroacoustic art music and popular electronic music. These two genres have impacted upon this ever-changing process of evolution in different ways, but have together been paramount to the establishment of interactivity in music as we understand it today; which is itself having wide-ranging implications upon the modern-day musical landscape as a whole—both in the way that we, as listeners and audience members, purchase and consume music as well as conceptualise and think about it
    • …
    corecore