Strukturne razsežnosti slovenske kratke ekspresionistične proze

V pričujočem prispevku sem poskušala predstaviti pojav slovenske kratke ekspresionistične proze med letoma 1914 in 1935 skozi osnovne strukturne razsežnosti pomembnih kratkih proznih vrst, kot so novela, kratka zgodba, črtica in pesem v prozi. Temeljna razmerja in poetične kontroverze nemškega ekspresionističnega gibanja do širših pojmov modernizma ter avantgarde potrjujejo medialni položaj tega gibanja tudi v kontekstu slovenske avantgarde. Te ugotovitve seveda terjajo znanstveno razlago in verifikacijo na najširše zasnovani tekstualni bazi slovenske ekspresionistične proze in njenih precej številnih predstavnikov različnih poetično-slogovnih orientacij

Književnost i revolucije: zbornik radova

The collection of essays "Literature and Revolutions" gathers the contributions of the final conference of the Croatian Science Foundation project (Literary Revolutions IP-01-2018-7020), which took place from 29. XI. to 1. XII. 2022. This book focuses primarily on exploring the legacy of the avant-garde in the literary and social sphere, starting from a contemporary, critical approach to the historical avant-garde in the broader Central European and South Slavic context. Considering the ways in which radical political and poetic changes in the artistic sphere are brought about through literary practices, this collection of articles traces analogous processes and relationships in the historical revolutionary years. In accordance with the aims of the project, the following research questions were posed: What is the relationship between literary revolutions and paradigm shifts: in literary theory and literary history, in models, types, concepts of language and literariness, authorial practices and poetics? Is it possible to redefine and reinterpret the avant-garde as a historical, transhistorical and supranational concept? In addition to developing a theoretical-methodological paradigm for understanding and analyzing concepts of literary revolutions based on the esthetic autonomy of literature, the aim of this book is to grasp the emancipatory potential of literature and the radical changes in poetic expression, especially in relation to the concepts of utopia and optimal projection, according to which the individual literary heresies also develop. The authors of this book pursue these questions about the processuality and continuity of the post-avant-garde literary revolution. By combining their theoretical and methodological interest in avant-garde controversies, revolutions, schools and influences with their interest in the literary text, they offer new readings and interpretations in this book. Their revaluation impulse is reflected in the interpretations of the authors' interventions (Krleža, Ujević, Kamov, Cesarec, Ristić, Marinković, Šinko), the laws of genre (drama, novel, poetry), collective and individual aspirations in the context of the performing arts and ecology, post-Yugoslav literature, postcolonialism and capitalism, feminism and queer theory.Zbornik radova "Književnost i revolucije" okuplja radove proizašle iz završne konferencije projekta Hrvatske zaklade za znanost (Književne revolucije IP-01-2018-7020) koja je održana u Zagrebu od 29. XI. do 1. XII. 2022. Radovi su posvećeni istraživanju nasljeđa avangarde u književnom i društvenom polju, polazeći od suvremenog, kritičkog razmatranja historijske avangarde u širem srednjoeuropskom i južnoslavenskom kontekstu. Uzimajući u obzir načine na koje se unutar umjetničkog polja, prije svega kroz književne prakse, generiraju radikalne političke i poetičke promjene, u zborniku su predstavljeni analogni procesi i odnosi u povijesnim revolucionarnim godinama. U skladu s ciljevima projekta postavljena su istraživačka pitanja: u kojem su odnosu književne revolucije i smjene paradigmi kad je riječ o teoriji i povijest književnosti, modelima, tipovima, konceptima jezika i literarnosti, autorskim praksama i poetikama? Je li moguće ponuditi redefinicije i nova čitanja avangarde kao historijskog, transhistorijskog i nadnacionalnog pojma? Osim razvoja teorijsko-metodološke paradigme za razumijevanje i analizu koncepata književnih revolucija utemeljenih u estetskoj autonomiji književnosti cilj zbornika je evidentirati emancipacijski potencijal književnosti i radikalne promjene u poetskom izrazu, posebno u odnosu prema konceptima utopije i optimalne projekcije prema kojima se razvijaju i pojedinačne autorske hereze. Nudeći odgovore na naznačena pitanja autori radova u zborniku pred sobom imaju procesualnost i kontinuitet književne revolucije nakon avangarde. U svojim tekstovima objedinjuju teorijski i metodološki interes prema avangardnim prijeporima, revolucijama, školama i utjecajima s interesom prema književnom tekstu, a kroz različite teme i predloške, nudeći nova čitanja i interpretacije. Revalorizacijski impuls zbornika vidljiv je u interpretacijama autorskih zahvata (Krleža, Ujević, Kamov, Cesarec, Ristić, Marinković, Šinko), zakona žanra (drama, roman, poezija), skupnih i pojedinačnih poduhvata u okviru izvedbenih umjetnosti i ekologije, post/jugoslavenske književnosti, postkolonijalizma i kapitalizma, feminizma i queer teorije

Diahrono proučevanje slovenske pesmi v prozi

V prispevku raziskujem osnovna teoretična in metodološka stališča spremne besede Andreja Brvarja v antologiji slovenske pesmi v prozi Brez verzov, brez rim (2011) v luči spreminjanja nekaterih slogovnih obdobij in smeri ter njihovega kulturnega konteksta. V kritičnem in recepcijskem spremljanju je ta zvrst ostala na robu slovenskega literarnega sistema in zato je pričujoča antologija pomemben poskus njenega vrednotenja. Za slovenske pesnike in prozaiste predstavlja način modernizacije verza oz. proznega stavka.In this paper, I examine the basic theoretical and methodological views of Andrej Brvar\u27s foreword in the anthology of Slovene poetry in prose Brez verzov, brez rim (Without Verses, Without Rhymes, 2011) in the light of changing stylistic periods and directions, as well as their cultural context. With regard to critical reception this genre has remained on the margin of the Slovene literary system and therefore the present anthology is an important attempt to evaluate it. For Slovene poets and prose writers, it is one of the ways to modernise both verse and the prose sentence

Vzorci pesmi v prozi v slovenski književnosti

V prispevku so obravnavana teoretična, literarnozgodovinska in primerjalna izhodišča žanra pesmi v prozi, ki jo opredeljujemo kot dvojno vrstno figuro glede na njena razmerja do poezije oz. proze. Za njeno konstituiranje kot posebne zvrsti v spremenjenih pogojih novega, modernističnega žanrskega sistema je zlasti pomembna programatična in ustvarjalna praksa francoskih simbolistov, posebno Baudelaira, Mallarméja, Rimbauda, Huysmansa ter nadrealista Maxa Jacoba. Ko gre za vzorce pesmi v prozi v slovenski literaturi, ki jih zasledimo od devetdesetih let 19. stoletja pri Kersniku in A. Funtku, sta opazna dva modela. Prvi, starejši, je utemeljen na anekdotskodeskriptivnem ali narativnem in tudi lirično-izpovednem vzorcu (Pregelj, Jarc, M. Kmet, J. Lovrenčič), drugi pa se uresničuje kot formalno-eksperimentalni tip besedila, ki ima poudarjeno antimimetično naravo (Kosovel, Grum, Podbevšek, Kocbek). Tu lahko govorimo o dezintegraciji konvencij znotraj samega žanra, kar učinkuje z drugačnimi estetskimi sredstvi na bralca in na njegovo recepcijo teksta.The author deals with a number of theoretical, historical and comparative issues of the prose poem which can be determined as a dual generic type, as it relates to poetry and narrative prose. For its self-constitution as an autonomous genre in the transformed space of the new, modernist generic system the programmatic and creative practice of French symbolistic authors is of particular importance, especially Baudelaire, Mallarmé, Rimbaud, Hyusmans and the surrealistic poet Max Jacob. In the models of the prose poem in the Slovene literature from the 1890s onwards, in the works by Kersnik and Funtek, there are two main types of the genre. The first, older one, is established through the devices of description and anecdotal narration or the lyrical-confessional pattern (Pregelj, Jarc, Kmet, Lovrenčič). The second employs a formal and experimental type of writing which is marked by its non-mimetical nature (Kosovel, Grum, Podbevšek, Kocbek). Thus it is possible to talk about the disintegration of the conventions within the genre itself, that affects the reader and the reception of the text with a varity of aesthetical resources

SHORT EXPRESSIONIST GENRES AS A MODERNISTIC SIGN IN SLOVENIAN LITERATURE

This paper raises the question of the existence of Expressionist prose as a significant segment of the Slovenian literary movement between the two world wars. It points out at a fundamental ambivalence about its relationship to the typological-aesthetic concepts of modernism and avant-garde. The problem lies in the fact that Slovenian literary historians and critics between 1920-1930, as well as the contemporary ones (with some exceptions), were detained and refused to accept innovative position of this phenomenon. Therefore, expressionism  was often understood simply as a radicalization of the poetic elements of  Slovenian impressionism (1895-1916), and this view is particularly evident in the assessment of Lado Kralj (Expressionism, 1986). Due to the uncertain and indeterminate previous definitions of the expressionist prose, whose research  in German literary criticism, especially from the nineties to the present, yielded significant results (W. Sokel, S. Vietta, G. Kemper, B. Scheffer, W. Krull, A. P Dierick, I. Jens, T. Anz, M. Stark, W. Fähnders), there is a need for a new, more flexible pattern of the expressionist prose text. For the identification of this model the following aspects were taken into account: Poetical and conceptual aspects, Expressionist topoi,  Morphologic and narrative aspects, Stylistic  and linguistic aspects, following by Semantic Implications. Textual base of Slovenian short expressionist  fiction includes 11 collections, published between the two world wars, and more than 200 prose pieces in the leading Slovenian magazines and  newspapers. Works of the individual authors  were recently acclaimed in publishing monographs, mainly posthumously (S. Majcen, M. Jarc, J. Kozak, S. Kosovel, S. Grum, E. Kocbek). In the interpretation of a characteristic prose samples (Podbevšek, Kosovel, Grum, Pregelj, Kocbek) one can notice the type of discourse and style-rhetorical moves that shape the Slovenian short fiction (prose poem, sketch, short story and novella). Similar to German expressionism, in the Slovenian literary movement the short prose  genres play fundamental role in the process of a structural modernisation

EFFECT OF ALPHA-LIPOIC ACID SUPPLEMENTATION ON OXIDATIVE STRESS MARKERS AND ANTIOXIDATIVE DEFENSE IN PATIENTS WITH SCHIZOPHRENIA

Background: The purpose of this study was to examine the effects of alpha-lipoic acid (LA) supplementation on oxidative stress markers in patients with schizophrenia. Subjects and methods: Eighteen (18) medicated patients with schizophrenia and 38 healthy controls received daily supplements of LA (500 mg/day) for three months. At baseline, 45th and 90th days of supplementation, venous blood collected for analysis of oxidative stress markers [superoxide anion (O2 •-), thiobarbituric acid-reactive substances (TBARS) and advanced oxidation protein products (AOPP)] and antioxidative defense markers [superoxide dismutase (SOD), total sulfhydryl groups (-SH) and total antioxidant status (TAS)]. Results: Increased plasma TBARS, TAS, SH groups levels and SOD activity were found in schizophrenic patients compared to control group. LA supplementation significantly reduced TBARS, AOPP and improved TAS levels in healthy subjects, while there were no significant differences in patients group. SH groups increased after 45 days and decreased to baseline levels after 90 days of supplementation in the control group. SOD activity decreased significantly in patients group after 45 days and 90 days of supplementation. After initial rose SOD activity in control group, decreased to baseline levels found after 90 days. Conclusion: LA supplementation decreased lipid peroxidation and oxidative damage of proteins and improved non-enzymatic antioxidant capacity in healthy controls. No significant changes were observed on oxidative damage in patients with schizophrenia