249 research outputs found

    Resurgence of Academic Responses

    Get PDF
    Resurgence is the recurrence of a previously reinforced response after a more recently reinforced response is placed on extinction. Resurgence may explain the recurrence of socially appropriate behavior, including academic responding, but this had not yet been empirically demonstrated. The aim of this study was to determine if resurgence would occur when a participant solved quadratic equations using multiple methods. Each participant was taught two methods of solving quadratic equations across experimental phases, followed by a phase in which neither method resulted in the correct solution. In the first phase, only simple factoring was reinforced. In the second phase, only the AC method was reinforced. In the third phase, neither of these methods was reinforced (both were placed on extinction). Half of the participants attempted to use simple factoring to solve an equation in the third phase, but the extent to which this recurrence constituted resurgence was unclear. The lack of consistent intersubject replication indicates that an uncontrolled variable may be affecting the likelihood that a response will persist in an individual’s repertoire. Identifying the variables that increase the persistence of a response may inform ways to promote maintenance of academic responses

    The silence of the lamps : visibility, agency and artistic objects in the play production process

    Get PDF
    This thesis is a case study which looks at the creation of two theatre productions. Using the literature of Actor-Network Theory as a methodological provocation, it analyses the processes by which networks of actors created these theatre pieces with particular attention to where agency was observed. Through data gathered through observing material interactions, the thesis develops the concept of the (play)text: an object that is an expression of the ideas of the text, but is not the text itself – rather, a bricolage of ‘translations’ of a piece of written and rehearsed work bound together by time and combined action. Conceiving of the eventual product – the (play)text in performance – as an example of the ANT concept of an agencement, a network of different people and objects working together to maintain a stable construction, but one which perpetually refines and redefines each of its component parts – this thesis proposes that the (play)text is an example of a dynamic and fractional artistic object, stabilised only briefly in the moments of its performance. Examining the theatre production process in this way contributes to ANT literature by providing specific examples of an artistic object created materially and agentively; it also highlights the limitations of the ways in which theatre has been used as a metaphor within Organisation Studies. Finally, it contributes to work on process change in showing an object which is, though it appears constantly improvisational and changing in its form, stabilised by material interactions

    The Urban League of Oklahoma City, Oklahoma /

    Get PDF

    Charles Asbury Stephens Correspondence

    Get PDF
    Entries include brief biographical information, a typed letter on receipt of Tobie\u27s first novel The Embers on the Hearth: A Story of William\u27s Family commenting on his description of character and family presented with a Maine State Library postcard returned to sender featuring a 1954 Maine State Police, Division of Traffic & Safety, Why Speed to Destruction? postmark

    Shhhh! Can You Keep a Secret?»: Reflecting upon the experience of working with «secret keepers» in social work

    Get PDF
    Working with adults who keep secrets can be complex, both in a practical sense and in terms of assessing and managing risk. This paper uses the theoretical framework of social construction to explore the intersubjective meaning-making of secrets and secrecy in social work, drawing upon current research, UK legislation and contemporary social work practice. The overall aim of this investigation is to explore the perception of secrets from the service user’s and the social worker’s points of view, as well as exploring the impact this has on the behaviour of all concerned. Meaning-making in relation to secrets and secrecy may become a source of tension between service users and social workers due to the different socially constructed understandings of secrets, the privacy of family life and the intervention role of social services. From this theoretical position, a critical reflection on secrets held by service users and their negotiated relationship with social workers demonstrates how complex the issue is in practice and offers insights into how this dilemma can be solved
    • 

    corecore