154 research outputs found

    What is the Penn Manuscript Collective?

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    The Treasured Hunt: Collecting Medieval and Renaissance Manuscripts, Past, Present, and Future

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    Welcome and Opening Remarks: E. Ann Matter, University of Pennsylvania, and Lynn Ransom, Free Library of Philadelphia Session 1. Beginnings: Collecting in the Middle Ages and Renaissance Session Chair: Emily Steiner, Department of English, University of Pennsylvania Claire Richter Sherman, Center for Advanced Study in the Visual Arts at the National Gallery of Art, The Manuscript Collection of King Charles V of France: The Personal and the Political David Rundle, History Faculty and Corpus Christi College, Oxford University, The Butcher of England and the Renaissance Arts of Book-Collecting Session 2: Civic Service: The Legacies of Philadelphia-Area Collectors Chair: Peter Stallybrass, Department of English, University of Pennsylvania James Tanis, Director of Libraries and Professor of History Emeritus, Bryn Mawr College, Migrating Manuscripts Derick Dreher, Director, The Rosenbach Museum & Library, Of Private Collectors and Public Libraries: Dr. A. S. W. Rosenbach and John Frederick Lewis Session 3: Keynote address Welcome: H. Carton Rogers, Vice Provost & Director of Libraries, University of Pennsylvania Chair: Robert Maxwell, Department of the History of Art, University of Pennsylvania Christopher de Hamel, Gaylord Donnelley Fellow Librarian, Corpus Christi College, Cambridge University, The Manuscript Collection of C. L. Ricketts (1859-1941) Session 4: The Hunters and the Hunted: A Roundtable Discussion with Private and Institutional Collectors Chair: David Wallace, Department of English, University of Pennsylvania Moderator: Richard Linenthal, Bernard Quaritch Ltd. Panelists: Lawrence J. Schoenberg, Private Collector Gifford Combs, Private Collector Toshiyuki Takamiya, Private Collector, Keio University Consuelo Dutschke, Curator of Medieval and Renaissance Manuscripts, Columbia University William Noel, Curator of Manuscripts and Rare Books, The Walters Art Museu

    Standardizing Slimness: How Body Weight Quantified Beauty in the Netherlands, 1870–1940

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    This chapter investigates the history of one of the most powerful quantitative beauty standards: weight. The chapter argues that weight is neither a natural nor a neutral standard for the beauty ideals of slimness and fatness. It is shown first how, in late nineteenth-century Netherlands, weight had not yet become a standard of beauty but was rather a bodily curiosity, measured at fairgrounds. The chapter then analyses Dutch newspaper advertisements for slimming remedies to show that, by the 1930s, weight was strongly established as a standard of beauty, scales having ceased to be a fairground attraction. The chapter concludes with an exploration of the consequences of this new standard of beauty, which complicated its character by partially separating it from the visual

    02 - Keynote Lecture

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    Walt Whitman\u27s Slips: Manufacturing Manuscript

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    The politics and poetics of transgression.

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