6 research outputs found

    The Life and Death of Barn Beetles: Faunas from Manure and Stored Hay inside Farm Buildings in Northern Iceland

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    This research was funded by the Commonwealth Scholarship Commission and received support from the Research Budget of the Department of Archaeology at the University of Aberdeen. This project was undertaken as part of doctoral studies supervised by Dr Karen Milek, to whom V.F. is especially grateful for her support and advice. Thomas Birch, Sigrún Inga Garðarsdóttir, and Paul Ledger provided invaluable assistance during fieldwork. V.F. would like to dedicate this paper to Tom and Sía, who met during this fieldwork and are getting married this year. Many people from Fornleifastofnun Íslands – Garðar Guðmundsson, Ólöf Þorsteinsdóttir, Þóra Pétursdóttir, Adolf Friðriksson and Uggi Ævarsson – as well as Unnstein Ingason, Ágústa Edwald, and Mark Young, helped with fieldwork logistics. Special thanks are due to all the Icelandic farmers and their families who kindly allowed us to collect insects on their farms and provided help when needed: Hermann Aðalsteinsson, Hermína Fjóla Ingólfsdóttir, Guðmundur Skúlason, Sigrún Á. Franzdóttir, Dúna Magnúsdóttir, Sverrir Steinbergsson, Valgeir Þorvaldsson, Reynir Sveinsson, Jónas Þór Ingólfsson, and Ívar Ólafsson. Eva Panagiotakopulu, Jan Klimaszewski, Ales Smetana, Georges Pelletier, Gabor Pozsgai, and Jenni Stockham helped with some of the beetle identifications. A.J.D. acknowledges the support of National Science Foundation through ARC 1202692. Consultation of the BugsCEP database (Buckland & Buckland, 2006) aided the redaction of this paper. The authors would like to thank David Smith and two anonymous reviewers for insightful comments that helped improve the quality of this paper.Peer reviewedPostprin

    Revisiting the distribution of Thaumetopoea pityocampa (Lepidoptera: Notodontidae) and T. pityocampa ENA Clade in Greece

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    In the present work, we sampled individuals of the processionary pine moth, Thaumetopoea pityocampa (Denis and Schiffermüller; Lepidoptera: Notodontidae) from different areas of Greece between 2014 and 2016. These samples were sequenced for a 760-bp long mtDNA COI locus and the haplotypes retrieved clearly showed that the occurrence of T. pityocampa in Greece is being considerably restricted, with only 8 individuals out of the 221 exhibiting T. pityocampa haplotypes and the rest being identified as T. pityocampa ENA clade haplotypes. To that, one haplotype in particular exhibited the highest abundance and broadest geographic distribution, occurring both in mainland and on islands. Our data suggest a rather recent and rapid population expansion of the ENA clade in Greece and a concomitant recent displacement of T. pityocampa. It thus seems that the relation between T. pityocampa and T. pityocampa ENA clade needs to be further and thorough analyzed before the taxonomic status of T. pityocampa ENA clade can be concluded with confidence. © The Author(s) 2018. Published by Oxford University Press on behalf of Entomological Society of America. All rights reserved

    Record collectors: Hollywood record labels in the 1950s and 1960s

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    The affiliation between film and music is the cornerstone of modern entertainment industry synergy. This article examines one of the key chapters in that relationship: the period in the 1950s during which the major studios entered the record business. Ostensibly designed to capitalise on the emerging film soundtrack market, the flurry of mergers, acquisitions and the establishment of new record labels coincided with the rise of rock'n'roll and the explosion of the market for recorded popular music. The studios quickly found that in order to keep their record labels afloat, they needed to establish a foothold in popular music. The processes by which they achieved this transformed the marketing of recorded music, sparking a period of unprecedented commercial success for the record industry in the late 1960s. Simultaneously, from these record subsidiaries Hollywood learned how to market cinema to a youth audience, heralding the arrival of 'New Hollywood'

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