Saving temporary exhibitions in virtual environments: The Digital Renaissance of Ulisse Aldrovandi – Acquisition and digitisation of cultural heritage objects

As per the objectives of Project CHANGES, particularly its thematic sub-project on the use of virtual technologies for museums and art collections, our goal was to obtain a digital twin of the temporary exhibition on Ulisse Aldrovandi called “The Other Renaissance”, and make it accessible to users online. After a preliminary study of the exhibition, focusing on acquisition constraints and related solutions, we proceeded with the digital twin creation by acquiring, processing, modelling, optimising, exporting, and metadating the exhibition. We made hybrid use of two acquisition techniques to create new digital cultural heritage objects and environments, and we used open technologies, formats, and protocols to make available the final digital product. Here, we describe the process of collecting and curating bibliographical exhibition (meta) data and the beginning of the digital twin creation to foster its findability, accessibility, interoperability, and reusability. The creation of the digital twin is currently ongoing

Diagnostics and Monitoring to Preserve a Hypogeum Site: The Case of the Mithraeum of Marino Laziale (Rome)

Conservation of hypogea and their accessibility by the visitors is a hard question, due to the interaction of different factors such as the intrinsic characteristics of the hypogeal environments and the presence of public. A particular case is represented by the Mithraeum of Marino Laziale, located a few kilometers away from Rome and accidentally discovered in the 1960s. The uniqueness of the discovery was the presence of a well-preserved painting of the Mithraic scene (II century A.D.) probably due to the oblivion of the place of worship over the centuries as well as the isolation from the outdoor environment. Unfortunately, despite a recent complete restoration and recovery of the archaeological area, which ended in 2015, the area was never open to the visitors and only two years after completing the works it was no longer safe to use. Hence, the need for a new planning of interventions starting from the deep knowledge of this cultural heritage and from the analysis of past incorrect actions to arrive at the opening—without any risk for the archaeological findings and visitors—and management of this site, never exposed to the public. Therefore, since 2018 a diagnostic campaign and microclimate monitoring have been started. The data collected during the two years of investigations have been fundamental to assess the conservation state of the hypogeal environment and the potential risks for the preservation of the three paintings (the Mithraic scene and two dadophores). Long-term monitoring of indoor environmental conditions assumes the role of an essential tool for the planning of preventive conservation strategies but also for the control of the site after its opening to the visitors. Furthermore, the characterization of the microclimate is non-invasive, sufficiently economical and accurate. In this paper, the characterization of surfaces in the Mithraic gallery through optical microscopy, UV fluorescence/imaging techniques, FT-IR spectroscopy, XRD and the microclimatic parameters variation in the presence or absence of visitors are used to define the strategies for the opening and fruition of the Mithraeum. The strategies for the sustainable fruition of this unique archaeological site have been defined through a conservation protocol approved by the Italian Ministry of Cultural Heritage and necessary for the site managers and curators of the Municipality of Marino Laziale to finally support its opening

Diagnostics and Monitoring to Preserve a Hypogeum Site: The Case of the Mithraeum of Marino Laziale (Rome)

Conservation of hypogea and their accessibility by the visitors is a hard question, due to the interaction of different factors such as the intrinsic characteristics of the hypogeal environments and the presence of public. A particular case is represented by the Mithraeum of Marino Laziale, located a few kilometers away from Rome and accidentally discovered in the 1960s. The uniqueness of the discovery was the presence of a well-preserved painting of the Mithraic scene (II century A.D.) probably due to the oblivion of the place of worship over the centuries as well as the isolation from the outdoor environment. Unfortunately, despite a recent complete restoration and recovery of the archaeological area, which ended in 2015, the area was never open to the visitors and only two years after completing the works it was no longer safe to use. Hence, the need for a new planning of interventions starting from the deep knowledge of this cultural heritage and from the analysis of past incorrect actions to arrive at the opening—without any risk for the archaeological findings and visitors—and management of this site, never exposed to the public. Therefore, since 2018 a diagnostic campaign and microclimate monitoring have been started. The data collected during the two years of investigations have been fundamental to assess the conservation state of the hypogeal environment and the potential risks for the preservation of the three paintings (the Mithraic scene and two dadophores). Long-term monitoring of indoor environmental conditions assumes the role of an essential tool for the planning of preventive conservation strategies but also for the control of the site after its opening to the visitors. Furthermore, the characterization of the microclimate is non-invasive, sufficiently economical and accurate. In this paper, the characterization of surfaces in the Mithraic gallery through optical microscopy, UV fluorescence/imaging techniques, FT-IR spectroscopy, XRD and the microclimatic parameters variation in the presence or absence of visitors are used to define the strategies for the opening and fruition of the Mithraeum. The strategies for the sustainable fruition of this unique archaeological site have been defined through a conservation protocol approved by the Italian Ministry of Cultural Heritage and necessary for the site managers and curators of the Municipality of Marino Laziale to finally support its opening

ICVBCmobile: il laboratorio mobile dell’Istituto per la Conservazione e Valorizzazione dei Beni Culturali. Diagnostica, Monitoraggio, Conservazione e Valorizzazione integrata del patrimonio

ICVBC was founded in 2001 and is located in Florence with units in Rome and Milan. The institutional tasks of ICVBC include research, coordination, consultancy and training. ICVBC’s features is its multidisciplinary character, promoting an interdisciplinary approach to research, guaranteed by different professionals, and through the development of an extensive national and international network of cooperation with research institutes, universities and public or private subjects involved in the conservation of Cultural Heritage. In the field of conservation, various issues are addressed: study and development of materials for the conservation of stone, metallic artefacts and painted surfaces; development of diagnostic systems for identification and monitoring of the environmental parameters useful for the characterization of causes and mechanisms of decay; development of protocols for the conservation and scheduled maintenance; integrated enhancement and fruition of works of art and their urban context. Through the ICVBCmobile laboratory, the Institute provides diagnostics services using portable equipment and non-destructive techniques, also offering consulting services for intervention design and restoration projects

Non-Invasive SWIR Monitoring of White Marble Surface of the Cathedral of Santa Maria del Fiore (Florence, Italy)

The monitoring of stone alteration represents a key factor in the knowledge and prediction of the status of conservation of building stones in the urban framework. A continuous monitoring requires a non-destructive analytical approach and, possibly, a simple, low-cost and effective tool to study the decay processes. Previous studies demonstrated the capability of the SWIR hyperspectral technique to gain information on the degree of sulfation of carbonate stone surfaces. In this study we aim at setting up a protocol to investigate on-site the sulfation degree of the white marble cladding surfaces of the worldwide-famous Santa Maria del Fiore Cathedral in Florence (Italy). The proposed protocol couples information by SWIR hyperspectral and colorimetric techniques. We have proved that, in selected areas investigated at a distance of nine years, the colour and the mineralogical changes (i.e., sulfation) are significantly greater than the relative uncertainties of the two methods. Moreover, the proposed protocol results rapid, repeatable and fully not invasive