29 research outputs found
Az emlékezet szociológiája. A tudományos vizsgálódás főbb területei és problémái
A tanulmány az emlĂ©kezet szociolĂłgiájának kĂ©rdĂ©skörĂ©t tekinti át; az egyĂ©ni emlĂ©kezet társas termĂ©szete, a kollektĂv emlĂ©kezet, valamint a mĂşlthoz valĂł kulturális viszonyulás kapcsán röviden felvázolja a tudományos vizsgálĂłdás fĹ‘bb terĂĽleteit Ă©s problĂ©máit. A felsorolt kĂ©rdĂ©sek ma elsĹ‘sorban az idĹ‘ szociolĂłgiájának perspektĂvájábĂłl relevánsak; a szerzĹ‘ bemutat nĂ©hány ebbĹ‘l fakadĂł elmĂ©leti problĂ©mát, valamint felvázol nĂ©hány olyan irányt, amelyben a továbblĂ©pĂ©s lehetsĂ©ges. A fenti kĂ©rdĂ©sek mindazonáltal a társadalmi diskurzusban, valamint az egyĂ©ni Ă©s kollektĂv emlĂ©kezetek formálásában is meghatározĂł szerepet töltenek be, jobb megĂ©rtĂ©sĂĽk ugyanis nagyban elĹ‘segĂti a társadalmi lĂ©t kontinuitásának Ă©s diszkontinuitásának tanulmányozását, illetve az aktuális konfliktusok Ă©s a kulturális kötĹ‘dĂ©sek vizsgálatát
Cinema europeo e memorie autocritiche
One way for debating about the European cultures is the analysis of the market of the cultural products. Among them, one of the most interesting points of view is that of the film market. Obviously, it is not easy to develop a debate on the “European cinema”. More than an half of the European films is an American production. The rest of the films is produced in the national borders. However, there is an interesting number of films produced in Europe that are viewed in other countries. About their stories, the theme of the memory is one of the most frequent in the last years. It is not only the individual memory, but, above all, the collective one. It is not in the sense of an attention for the problems of the disorientation or of the loss of the memory that modernization and de-traditionalization provoke, but in the sense of an attention for the removal process. They present this question in an autocritical point of view. They present stories also about the worrying past. After a recognition of the most famous European films of the last years, the paper stresses some of these films (produced in East and West European countries) and how they promote and present the autocritical memory
Moltiplicare la vita: Un’esperienza di lettura
Every narrative creates a new world. The pleasure of narrative is largely constituted by its capability of multiplying life. This is the main thesis of this short essay, based on field work with school teachers and young students. This kind of pleasure goes with
some kind of knowledge: a knowledge referring to human experience and its range of possibilities. It is a kind of knowledge particularly useful for those committed both to
social work and social sciences
Simmel sobre la memoria : Algunas observaciones sobre la memoria y la experiencia moderna
Publicado en la secciĂłn "Traslaciones".Centro de Estudios de TeorĂa y CrĂtica Literari
Simmel sobre la memoria : Algunas observaciones sobre la memoria y la experiencia moderna
Publicado en la secciĂłn "Traslaciones".Centro de Estudios de TeorĂa y CrĂtica Literari
Mediateche domestiche: uno sguardo autobiografico
Nel loro articolo in questo numero di “M@gm@”, Olimpia Affuso e Simona Isabella riassumono i risultati di una ricerca su quelle che insieme abbiamo chiamato le “mediateche domestiche”. Si tratta delle raccolte di libri, dischi, video e così via che conserviamo nelle nostre abitazioni, più o meno con ordine o alla rinfusa, riempiendo scaffali e altri spazi. Oggetti che ci siamo procurati e che abbiamo “consumato” leggendo, ascoltando o guardandoli, ma il cui uso e il cui significato, e le pratiche che vi sono associate, non si limitano all’acquisto e neanche al mero consumo: conservandoli li carichiamo di un valore diverso. Se ci guardiamo attorno, sui nostri scaffali è inscenato una specie di “teatro della memoria”: oggetti che rammentano per noi e che ci rammentano altro, che a volte riprendiamo in mano ma che comunque segnano la nostra impronta sull’ambiente, e che parlano di noi a chi venga in visita