This paper aims to scrutinize various aspects in which Aimé Césaire is represented in the Caribbean novel as a personage, on the basis of Théorie et fiction by Milagros Ezquerro. We discover that, because of the great halo and notoriety of the eminent cultural  and political figure that he was, Aimé Césaire has been put on stage by several Caribbean novelists. So Césaire has become a literary material, as well as a theme with various patterns